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In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.
This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.
It is a hot, humid and sticky night. Inés, a woman in her forties, is driving through the city of Buenos Aires towards the Buenos Aires suburbs. She is on her way to spend Christmas with her brother's in-laws whom she does not know. During these hours of family siege, Inés faces the questions that open up about her life decisions, reevaluating her choices.
Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.
