Dominick Rustam-Chartrand

Chang Er, a fairy maiden, embarks on a journey to the dark side of the moon to search for her lover Ho Yi, a sun-shooting archer who vanished on his quest to save the dying sun.

A nimble-fingered pickpocket has one more day to pay back his ex, whose trust he has betrayed. With no accomplice, he turns to his cousin Pinpin, left in his care by his aunt until the next day.

In an ever-expanding but nondescript North American city, Christophe, a middle-aged businessman, unexpectedly encounters Micha, a Russian acrobat recovering from an injury, while house-hunting. An instant attraction is quickly consummated and they embark on a torrid affair that helps each of them cope with their respective trials. A provocative, poignant drama about intimacy in an age of anonymity.

David needs a place to stay overnight. His ex Leonard offers his couch.

Les Jumeaux follows the lives of two twin artists struggling to make their mark in a vibrant urban city, far from their wealthy, small-town roots. As they confront their own identities and the expectations placed upon them, the twins must decide if they will break free from the constraints of the art world or succumb to its limits.

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Across various timelines and locations, the fates of four characters intertwine as they struggle to find connections and meaning in a world transformed by climate change.

Much of Godin’s purple, declarative dialogue is delivered at a breakneck pace, as though these verbally nimble actors are running lines at auctioneer-speed while simultaneously playing their intentions to the hilt. The film is an exercise in radical compression, its velocity integral to its comic effects, though all the rapid-fire yakking and spastically edited reverse-shot sequences lead to a wordless denouement in which Mésuline searches her pockets for a cigarette in a shot that’s hardly protracted yet still takes up about one-fifth of this taut little film’s runtime. Her pleasure in finally lighting up is fairly adorable.