Ha Min

Set in the late 1920s, The Age of Shadows follows the cat-and-mouse game that unfolds between a group of resistance fighters trying to bring in explosives from Shanghai to destroy key Japanese facilities in Seoul, and Japanese agents trying to stop them.

Min-jae, a rookie police officer with a natural born talent for driving, is assigned to the perfect team: the Hit-and-Run Squad. But at the same time, for police detective Si-yeon, it is a place she is unjustly demoted to for doing her job. The two team up to arrest the rich and powerful speed maniac Jae-chul who is suspected of committing crimes for his obsession for speed.

North Korea, facing international sanctions, seeks assistance from a Hungarian NGO to build churches in Pyongyang as a way to bypass the sanctions. The NGO proposes organizing a revival meeting with international Choir organizations, leading the Ministry of 5 Securities to apprehend believers. The "Victory Orchestra," a replacement ensemble, is actually composed of underground Choir members. As they sing hymns openly for the first time, their true identity as underground believers is revealed, creating moments of laughter, tears, and emotion.

Only one week left until South Korea will go under sovereign default. Han Shi-hyun is a leader of the monetary policy team at the Bank of Korea. and is assigned to a crisis team.

A charming bachelor becomes Joseon's first male gisaeng to save his aunt's business, but finds his heart challenged by a sharp-witted beauty who refuses to be wooed.

A woman's past as a convict follows her everywhere and because of this she doesn't open up to others. But then she strikes up a friendship with a broken child who has suffered from domestic violence and decides to save the girl from the cruel world. A man who holds feelings for the woman, tries to protect her in his own way.

After being appointed as the vice-principal of her alma mater, Eun-hee becomes plagued by hallucinations. Branded a troublemaker by the teachers, Ha-young hears strange sounds coming from the school's dilapidated restroom.

Based on the Resurrected Victims Phenomenon where murder victims come back to life to avenge the murderer, a prosecutor is suspected of his mother’s murder.

A cunning loan broker recruits a talented young scammer into his fraudulent operation, sparking a dangerous game of deception and survival.

The politician Koo Myung-hui finds his wife in the garage. She is cleaning her son's bloodstained car, which has just run over a person.

In-gyu has intellectual disability. His mother, Ae-soon, takes care of him, nagging him all the time. One day, she is diagnosed with terminal cancer and prepares for her son's independence.

The detective Hyun-soo tries to track down a girl who disappeared off of a cliff during a stormy night.

In 1999, a robbery-murder case occurs in a small supermarket in Samnye, Jeonbuk province. The police investigation quickly narrows down to three boys from the neighborhood, and these boys are falsely accused of being murderers overnight and are imprisoned without understanding what is happening. The following year, veteran detective Hwang Joon-cheol is newly appointed as the head of Crime Investigation Division. He receives a tip about the real culprits and embarks on a reinvestigation to clear the boys' names. However, the interference of the detective responsible for the case at the time, Choi Woo-sung, leads to everything falling apart, and Hwang is demoted. Sixteen years later, the sole witness of the case and daughter of the victim, Yoon Mi-sook, and the boys return to Hwang, seeking justice...

A diligent mother who runs a side-dish store keeps calling her son, a part time teacher, incompetent. The son resents his mother’s prickliness, but he isn’t very sweet to her either. One day, all of a sudden, his mother gets dementia.

A once-emerging writer, Soo-Yeon is now making a living by working as an assistant scriptwriter for a great box-office hit maker, Moh. Despite repeating cheesy stories full of stereotypical characters, Moh wants to constantly believe his film to have something new and to be based on the reality. That makes Moh as well as Soo-Yeon feel exhausted. Soo-Yeon carefully dreams to emancipate characters from story, but she realizes that her dream is only treated as a 'feminine' vanity in reality.