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The first part of a Magritte portrait, mainly compiled from fragments of staged enactments of situations, which Magritte recorded with, among others, Georgette Magritte, Paul Colinet, Irène Hamoir and Scutenaire, playfully described by the latter as "une histoire érotico-fantastico-iconoclaste".
The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
