Agnès Jaoui

Qui n'a pas connu le stress d'un déménagement ? Surtout quand on est un jeune écrivain comme Alain, sur le point de quitter une bonne maison d'édition pour écrire un sitcom pour la télévision, que sa femme est sur le point d'accoucher et de surcroît quand les déménageurs sont des Roumains qui travaillent au noir et qu'ils n'ont pas vraiment le sens de la ponctualité...

Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she's found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charming than others? Of course Sandro has problems of his own : his father, Pierre, just bumped into Madam Irma at his father's funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro. And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don't worry, in the end, they'll all live happily ever after.

Pierre, a successful 33-year-old florist, has his life turned upside down by the sudden arrival of his mother Judith, whom he hasn’t seen for two years. Mercurial and extravagant, she suffers from bipolar disorder and has recently escaped from a clinic. Pierre has only one idea in mind: bring her back as quickly as possible so his life can get back on track. But nothing happens as he hoped for. Their unexpected reunion, as funny and explosive as it is heart-wrenching, will transform Pierre and Judith forever.

Aurore has separated, just lost her job, and learns that she is going to be a grandmother.

A gaggle of young women gather at the seaside to celebrate their friend's birthday and help mend her recently broken heart. As the women confide in each other and trade thoughts on love, a young American man catches their attention, and they begin to engage in a series of games.

Barbie, once an attractive, devoted mother and partner, faces newfound challenges as she turns 55, descending into darkness, violence, and absurdity while grappling with her identity, relationships, and life's complexities.

Michel, a fifty year old man, graphic designer, decides to change the urban lifestyle and go on an adventure. Fascinated by airmail, he dreams at Jean Mermoz when he's on scooter. One day, Michel sees a picture of a kayak.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

An upper middle-class French family celebrates a birthday in a restaurant. In one evening and during one meal, family history, tensions, collective and separate grudges, delights, and memories both clash and coalesce.

Agathe Villanova is a self-centered, workaholic feminist politician who, upon reluctantly returning to her home in the south of France to sort out her mother's affairs, runs for a local election. Upon her arrival, Agathe grudgingly agrees to take part in a documentary being made by the blundering duo of Karim, an aspiring filmmaker, and self-professed "reporter" Michel, on the subject of "successful women." As Agathe's life hilariously unravels, the camera is there to capture it all.

Catherine and Oracio are real estate advisors, and are visiting two properties in quick succession: a large bourgeois house "which can have a swimming pool and RER view", and a small modern apartment in the heart of Bougival's golden triangle.

Yuku is a young mouse who lives with her family in the cellar of a castle. Her grandmother passes on the family values by telling her timeless folk tales. Injured in a tussle with a cat, the old mouse is bedridden and she tells her children that she will have to leave them to follow the little blind mole into the Earth’s tunnels. In one of her grandmother’s storybooks, Yuku learns that the flower of the Himalayas can bring her eternal light. She leaves on a journey of discovery to find the flower.

Mimi is 29 years old and still dreaming about a job she could get. She meets Paul, a sidelined lawyer, as she decides to seek employment. Together, they will defend Christophe, a conman who proclaims his innocence.

A genius inventor of forms, Alain Resnais is one of the fathers of cinematic modernity. This portrait, rich in archives, looks back on the career of a discreet non-conformist, in perpetual search of renewal to fight against anxiety.

Roberto Alagna celebrates Christmas surrounded by his friends Christophe Willem, Nolwenn Leroy, Karine Deshayes, Aleksandra Kursak, and Patrick Fiori. They perform the most beautiful popular tunes and Christmas carols accompanied by the Philharmonic Orchestra and the Monte-Carlo Opera Choir under the direction of Yvan Cassar. Recorded at the Salle des Étoiles Sporting d'Été in Monte Carlo.

Luc, a renowned opera singer, agrees to run a singing workshop at a women’s prison over the course of a summer. Although initially wary of him, Carole, Jeannine, Noor, Jess, Marzena and Catherine eventually capture his full attention. Luc soon finds himself confronted by the unpredictable and clashing temperaments of these challenging inmates, whilst the prison is in turmoil. How will he manage to harmonise their voices? Will he be able – and at what cost – to make them feel a semblance of freedom through song?

Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.

Albert is an introverted travel agent living a lonely life in New York. When Louie, his best friend from childhood, appears having just escaped from prison, Albert's quiet existence is permanently disrupted. what ensues is one long, crazy night in New York that will change both their lives forever.

A rabbit and a squirrel, neighbours and good friends, both love food and good company. They nevertheless quarrel over their different tastes. The squirrel moves out during the night and is caught by a fox…

Bellisha is a good Jewish boy. He is a 27-year-old curly-haired, weak and nonchalant young man who struggles to become an adult. He still lives with his mother, Giselle, in a poor neighborhood. After the closing of the last synagogue, it is the turn of the last kosher grocery store to close its doors. That's it, they are the last Jewish family in the area. But much to Giselle's dismay, Bellisha doesn't particularly want to leave. He feels comfortable and positive, despite the tensions in the community and his mother's rapidly deteriorating health.

A French family is shown as they go through the daily routines of life. Arguing, feasting, crying, and yearning for love are just some of the human emotions encountered. The mood wavers between excessive noise to silence while those not participating in the conversations eavesdrop.

For a long time, in France, comedy was the preserve of men. Female roles were mostly secondary and corresponded to stereotypes such as the pretty doll, the funny but unattractive woman, or the troublesome, even cantankerous wife

In summer, Cecco, a withdrawn teenager, goes to his mother's house in a coastal town. His encounter with a gang of thugs marauding on the beaches will be dramatic.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

A young girl is frustrated by her over-protective mom. At school, she meets another fearless little girl that is going to have a big influence on her.

No description available.

Set in 1913, 1936 and 2001. When he returns to the casino and seaside resort of his early teens, Louis, a 78 year old man encounters Olivia, a 19 year old young woman madly in love with a violent cad. Louis tells the story of his own mother having a passionate, driven fling with his Italian tennis instructor in 1936, and of Marie Collins Brown, the slightly older widowed woman who helped him through his confusion and pain by recounting the story of her passionate 24 hour fling with a hopeless young Polish gambler in 1913.

Talented 20-year-old Lolita dreams of a singing career. But her self-esteem is low due to her weight problem and her narcissistic father, Étienne, a literary star with scant interest in his daughter's life. Lolita finds little comfort in the attentions of her vocal coach, suspecting the woman is using her to meet her influential father. Étienne's second wife proves to be Lolita's only trustworthy ally in her private battle to find a sense of worth.

Business executive Odile seeks a new, larger apartment. Her younger sister Camille, having completed her doctoral thesis in history, is a Paris tour guide. Simon is a regular on Camille's tours as he's attracted to her. However, Camille has fallen for Marc, and they begin an affair. Nicolas is also looking for an apartment, since he hopes to eventually have his family join him in Paris.

Starting in 1944 in the wake of the Liberation and continuing into the '60s, 'houses of hope' were established to lend a semblance of continuity to youngsters orpahaned by the war. Nina's Home takes place between September 1944 and January 1946 in an orphanage housed in a chateau outside Paris. At the outset, the country residence is run by Nina who has a core population of French Jewish children whose parents are probably dead. Food is scarce. News of the Concentration Camps hasn't hit yet, but some months later, a contingent of youths arrive form the liberated camps. The children are a disparate, wild, damaged group and conflicts ensue. Nina's challenge is to help them make their first delicate moves toward the future and in the process restore all of them, including herself, to life.

In the ruins of a Roman amphitheatre in the South of France, the cast and crew of an ambitious staging of The Marriage of Figaro is thrown off balance when troubling accusations threaten to derail the entire production. As tensions intensify, loyalties slowly fracture and deep generational disagreement emerges, throwing their sheltered opera world into a great divide.

Revolves around Castro, who was once a very famous TV host, but as he grows old, his popularity is dwindling.

The story of how Norma Jeane Mortenson became Marilyn Monroe (1926-62), a lucid path of self-discovery, from anonymity to stardom: the painful birth of a myth.

Patrick, a travel agent in his early 30s, lives with Arthur, an immigration lawyer; but for a long time, Patrick has been sleeping on an air mattress on the floor of their bedroom. His younger brother, Tony, plans to marry his high school sweetheart but is having an affair that is far more satisfying than his relationship with his fiancee. Their older brother, Ryan, is divorced, living at home and working at his parents’ hopelessly unprofitable men’s clothing store. And McCauley soon makes achingly clear that the parents’ marriage is far from happy.

Jean-Pierre Bacri was never happy about anything. But beyond the caricature of the grumpy man, from his apprenticeship years to his death in January 2021, this film tells the story of this quintessential Frenchman: a man turned towards others, an actor by accident, a moralist by vocation, who was left unaffected by flattery and false honors by success, and ready for all kinds of anger when it was necessary to speak out against injustice and stupidity. The film tells the story of how Jean-Pierre Bacri's life changed several times: from Algeria to France when he was eleven years old in 1962; from bank clerk to apprentice theater actor; from Pieds-noirs film star to screenwriter for Alain Resnais; and from Cannes playboy to Agnès Jaoui's mad lover, the most decisive encounter for his life as well as for his work

A humble copy editor becomes a personal assistant to her favorite actress and eventually loses herself both in the actress' demands and her own ego.

Charming thirty-year-old Hanna Belkacem has inherited the gene from her parents: she is unable to say no. And as she is the Director of Human resources of a big firm such infirmity is not without its problems, particularly when she has to fire someone. The only solution she has found to be forgiven is to... get l* with the men she lays off!

Noémie, an experienced screenwriter, meets up with Vincent, her first childhood love, at the film school where he is now the director. Through an extraordinary masterclass where intimacy rubs shoulders with the universal and reality flirts with fiction, Noémie will teach Vincent and his students that the art of writing a screenplay is the art of living passionately.

Jacques and Martine, an ordinary bourgeois couple, invite to dinner a friend whom they have not seen the last ten years. Since then he has become a media star and everything has to go just right at dinner.

Françoise breaks up with Jacques after living with him for fifteen years. She's left alone with their three children, a lovely home, and her nursing job at a hospital. Françoise quickly refuses to assume responsibility for this new situation beyond her control. She starts going out, living by night… hanging out in new places, ready for chance encounters.

Nounours is the nickname of a "cousin" an informer with a special arrangement with the police: he gets 10% of the drugs seized thanks to his help. When his personal contact, inspector Maurin, commits suicide, inspector Gérard Delvaux takes over. Meanwhile, judge Lambert is uncovering the illegal practices of the policemen. Her persistent investigations, which had cornered Maurin, are leading to Gérard, and also to Nounours as the source of heroin that led to recent cases of deadly overdoses. Nounours promises Gérard increasingly bigger catches which he is intent on realising before he is forced to reveal who Nounours is to judge Lambert.

Detective Frank Zodiac is a cop traumatized by the death of his wife in a car accident that also left his daughter in a coma. This tragedy prevented him from being present to apprehend the dangerous gangster Gus Sabor, who was then able to escape from law enforcement. Three years later, Frank and Gus' paths cross again. Frank then sets out to pursue the criminal through Paris.

At 19, passionate about street art, Naëlle (Najaa Bensaid) is forced to follow a reintegration project with other young people, her last chance to avoid being separated from her loved ones. Touched by the young girl, Hélène (Agnès Jaoui), the site manager and her instructor, introduces her one day to the Maison des Compagnons de Nantes, a world of traditions that promotes craftsmanship excellence and transmission between generations. Alongside Paul (Pio Marmai), a companion stained glass artist who agrees to take her for training in his studio, Naëlle discovers a universe with codes very different from hers that could give new meaning despite her difficulties in life. Naëlle will carve a place for herself in the fascinating world of stained glass and will realize that the Companions' values are not just empty words.

A 50-year-old who is over-invested in humanitarian work is competing in the social center where she works. She will then embark her students in literacy class, with the help of a pretty foolish monitor, on the dangerous road of the code of the road.

No description available.

Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.