Maria Guleghina

Maria Guleghina

Acting

August 9, 1959
Odessa, Ukrainian SSR, USSR [now Odesa, Ukraine]
14 movies

Biography

Maria Agasovna Guleghina (née Meytardjan (Russian: Мейтарджян); born 9 August 1959) is a Soviet-born operatic soprano singer, particularly associated with the Italian repertory. Maria Guleghina was born in Odesa, Ukrainian SSR, to an Armenian father and a Ukrainian mother, where she studied voice at the Music Conservatory with Evgeny Nikolaevich Ivanov (under whose tutorship she remained even after graduation). Guleghina is a citizen of Luxembourg where she resides with her family. Guleghina m...

🎬 Maria Guleghina's Filmography

14 movies sorted by popularity

Verdi: Nabucco

Nabucco the complex story of Nebuchadnezzar the King of Babylon, who proclaims himself God and is hereon afflicted with madness remains a success with audiences. The director Günter Krämer paid particular attention to the interpersonal component of the opera accentuating the conflict-ridden king's loss of power as the core. His Nabucco is the tragedy of a mighty ruler. Leo Nucci, the baritone well known at all the great opera houses of the world, is Nabucco. After experiencing him at the Vienna State Opera, a critic wrote of his "fascinating timbre" and "intense and plausible acting". Maria Guleghina, who performs Abigaille, is one of the most celebrated and acclaimed sopranos of the world. She has been described as "Russian soprano with Verdi flowing through her veins". Supported by a distinguished cast (Marina Domashenko, Miroslav Dvorský, Giacomo Prestia) this Nabucco is a must for opera lovers.

Verdi: Nabucco

2001
The Metropolitan Opera – Verdi: Macbeth

Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.

The Metropolitan Opera – Verdi: Macbeth

2008
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