Aleksandr Kaydanovskiy

Aleksandr Kaydanovskiy

Acting

July 23, 1946 — December 3, 1995
Rostov-na-Donu, Rostovskaya oblast, RSFSR, USSR
53 movies

Biography

Aleksandr Kaydanovskiy (23 July 1946 — 2 December 1995) was a Soviet actor and film director. His best known roles are in films such as Stalker, At Home Among Strangers, and The Bodyguard. Prior to pursuing an acting career, Kaydanovskiy attended technical college where he trained to become a welder. In 1965 he started studying acting at The Rostov Theatre School and the Shchukin theatrical school in Moscow. Before completing the course he took his first part in the film The Mysterious Wall and...

🎬 Aleksandr Kaydanovskiy's Filmography

53 movies sorted by popularity

Diamonds for the Dictatorship of the Proletariat
4.2

In 1921, the Cheka became aware that gold and jewelry were stolen from the treasury of Gokhran, and that a special organization was involved in transporting the stolen to Estonia. Scout Maksim Isayev is sent to this country. He establishes that the cipher of the Soviet embassy Olenetskaya works for the German resident Nolmar, with whom employees of Gokhran Kozlovskaya and an appraiser Yakov Shelekhes are associated. As a result of the provocation, Isayev was arrested. In the prison cell, he finds himself together with the famous Russian writer Nikandrov, who could not find himself in post-revolutionary Russia and went abroad. Released soon by the efforts of his comrades, Isayev continues the struggle for the fate of Nikandrov — for his return to his homeland.

Diamonds for the Dictatorship of the Proletariat

1976
The Bodyguard
5.3

The setting is Central Asia during the Russian civil war. In the post-revolutionary twenties, when the power in European Russia was (officially) "fully in the hands of the workers and peasants", but the fight against the Basmachi rebels was in full swing. When a Red Army detachment captures Sultan Mazar, the brains behind the Bazmachi contingent, a decision is made to escort urgently the prisoner to the Bukhara province. The difficult mission is entrusted to a grizzled mountain trapper and conscientious revolutionary called Mirzo. His expertise is essential to traverse the precarious paths and steep mountain ridges along the way, impossible terrain for the inexperienced. A group consisting of Mirzo, his brother Kova, the Sultan, his daughter Zaranghis and slave Saifulla set off on this journey. They are forced to fight on the mountain ridges as well as negotiate the natural dangers and harsh elements.

The Bodyguard

1979
Parajanov: The Last Spring
5.1

Made in wartime and edited in candlelight, Vartanov's rarely-seen masterpiece tells about his friendship with the genius Parajanov who was imprisoned by KGB "at the height of his fame ". Vartanov resurrects the riveting scenes from his banned 1969 film The Color of Armenian Land, where Paradjanov concocts the chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - then reveals the shocking request Parajanov sent him in unpublished 1974 letters from Ukrainian prisons. Vartanov's camera documents Parajanov's staggering last day at work in 1990 during the making of the unfinished Confession - which survives in The Last Spring - as Parajanov comments on this cherished autobiographical film. The foremost achievement of The Last Spring, emphasized by critics, is Vartanov's exquisite wordless montage that "evoked the very soul" of Parajanov and earned the praise of many of cinema's greatest masters, such as Martin Scorsese and Francis Ford Coppola.

Parajanov: The Last Spring

1992
The Mysterious Wall
5.4

The action takes place in Siberia where a mysterious wall appears from time to time. Scientists are dispatched to study it and some of them believe that the wall is produced by some sort of alien intelligence, "the Martians", as they call them. The scientists attempt to communicate with the Wall, but all they experience in return are hallucinations about their past experiences. In those visions they are faced with some unresolved issues, repressed memories, and absurd dream-like situations. They meet people – messengers – from their past who reveal to them some simple truths about their own lives, which may be hard to accept, so they dismiss those messengers as the Martians and stubbornly continue attempting to "understand" the Mysterious Wall using their rational minds.

The Mysterious Wall

1967
Aleksandr Kaydanovskiy | MovieMind AI