Hiroki Sano

Shoji runs a store in a desolate town in northern Japan. After the death of his wife, he longs to end his life so that his daughter will receive his life insurance money. But suicide is not covered by his contract, so he seeks help and meets Saki, who is also suicidal. Yoshitaka Kamada raises profound questions about life, death, and the importance of humanity.

Accompanied by his friend Miyata, Sano returns to Izu, a seaside resort in Japan where five years before he fell in love with his wife Nagi.

Kenmochi works as a novelist. He is able to recognize people who are suicidal. Kenmochi and his friend Urushihara meet these people and let them find hope in their lives.

Instead of worrying about his future, Takuya aimlessly spends his time with his high school classmates. After a tragic accident, he decides to keep a promise that he made a long time ago: His friend’s porn collection must disappear before his parents find it!

Asami is Japanese but was raised overseas. She meets a sheltered young man Petit. As they grow closer, they are drawn into an uneasy bond.

Movie theater Asahiza has existed for almost a 100 years in Minamisoma, Fukushima Prefecture. Unlike other theaters, Asahiza plays old films and doesn't get a lot of customers. The manger of Asahiza, Yasuzo Morita, finally decides to close down the theater. When he is about to burn the old 35 mm films, a young woman named Rika Motegi suddenly appears and tries to stop him. Rika Motegi came to Minamisoma from Tokyo to save Asahiza.

Shigeo Tokioka (Tetsu Watanabe), a lonely man who has lost his wife, sees a three-line ad for a club in the newspaper that reads, "Tea drinking friends wanted". Mana Sasaki (Rei Okamoto) along with a group of youngsters runs the club, which is actually a prostitution business specializing in arranging appointments for call girls who are over sixty-five years old. A socially-conscious ensemble drama inspired by the news of an actual 2013 prostitution club bust involving the elderly. Directed and written by Sotoyama Bunji, who made his feature film debut with Sansan.

The film centres on Taro, an aimless indie filmmaker who gets convinced by Yuki, his girlfriend and financial sponsor, to attend a film festival in Beppu. There he meets the bubbly drifter actress Miki. Part travelogue, part self-reflexive comedy, the dynamic that follows this encounter delivers an ironic and realistic spin on Before Sunrise (1995), depicting two souls wandering around in search of life’s meaning.

An old picture book writer named Yamazaki, having been handsome as a young gay man, grows narcissistic of his beauty. But now, can't bear his own aging. One night, Yamazaki meets a young and beautiful man named Leo. Yamazaki collapses during an S&M session with Leo, and reveals his agony. But it's lost on young Leo. Yamazaki turns to hurting himself in order to bear his own reflection in the mirror...

In a city where unmarried people are drafted to solve the declining birthrate, 44-year-old unmarried Yoshiko tries to find a marriage partner in order to escape from recruitment.

Risa Tanaka is a 30-something who is super sincere and hates lies, but after her mother dies and her boyfriend cheats on her, she takes up work with a human rental service. Despite reservations, she begins to play girlfriends, talent managers, and other roles for people across Tokyo who she is hired by. All the while, between experiences with her clients and life lessons from her laidback boss Teramura, her experiences begin to heal her heart while her wholsomeness rubs off on them.

Sano and Miyata, two childhood friends, are on a trip together in a resort hotel facing the Pacific Ocean. Miyata is devoted to conspiracy theories and he tries to get Sano to believe this idea. But Sano doesn't believe it, and they fight. As Miyata's phone keeps ringing all day, Sano loses patience and takes the call. It was a phone call from Miyata's father, who was saying unintelligible things, probably from dementia. Sano hangs up the phone in confusion and tries to go home with Miyata.