Andrzej Wajda

Fleeing from despair after losing those dearest to him, the hero hides in a safe land of memories, where time stands still and all those dear to him are alive.

A documentary about Elzbieta Czyzewska, one of Poland's greatest actresses, a beauty icon of the 1960s, who died in 2010. She had a great career in Poland, but the filmmakers focus more on her attempts to make a name for herself as an actress in America, after her sudden emigration to the United States with her husband, American journalist David Halberstam. Friends and acquaintances of Elzbieta Czyzewska speak without embellishment about her failed marriage, her battle with alcoholism won after years, and her attempts to return to Poland. This is a story about the fate of the actress at different stages of her career: at the top, at the bottom and in between.

Three-part film centered around a film being made by a group of young directors. In the first a working-class girl finishes school and has her first love affair, which ends badly. In the second a provincial boy with dreams of life in the theater has an affair with his boss' wife. They meet during the film's screen tests.

History of a fashion rebellion in communist Poland. The film shares the experiences of those who were singled out as ideological 'saboteurs' by the socialist authorities. The documentary presents the stories and opinions of stylish personalities of the day.

In the summer of 1939, people enjoyed the good weather, ignoring politics and pessimistic predictions. Images of everyday life that was about to change dramatically in a Europe in turmoil.

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The unique story of film directors who managed to critic the Communist regime while being produced by the State: this is Polish cinema's golden age, in the 1970s. Director Ania Szczepanska, born in Poland and raised in France, meets prominent filmmakers, producers, actors such as Andrzej WAJDA, Marcel LOZINSKI, Krzyszstof ZANUSSI, Kristina JANDA, Ryszard BUGAJSKI and confronts them the testimonies of the State men of that time. Through unknown archives, forgotten documentaries and excerpts of cult films, she relates how the Solidarnosc people ended up in Cannes.

An interview with film director Roman Polanski conducted during his period of house arrest, discussing his life and work.

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Reportage from the set of the film "Everything for Sale", focusing on the director - Andrzej Wajda. At one stage of the filming, Wajda planned to include all the documentary material shot by Ziarnik in his film. Ultimately, however, he changed the concept.

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

In February, 1945, Primo Levi (1919-1987) and other Auschwitz survivors set off for home. The journey took more then eight months. Sixty years later, a film crew retraces Levi's steps. Levi's words, mainly from "The Truce" (1963), tell us what he experienced. In turn, we see Poland's hollow post-war factories, nationalism in the Ukraine, Soviet-style Communism in Belarus, the abandoned town of Prypiat (Chernobyl), poverty and emigration from Moldavia, Italian factories in Romania, and on across Hungary and Slovakia to Munich where Levi's rage found no listeners. Then home to Turin. An aged Mario Rigoni Stern remembers his friend. What has changed? Some issues of the war remain unsettled.

Insights on Ashes and Diamonds (1958) from the director Andrzej Wajda, filmmaker Janusz "Kuba" Morgenstern, and film critic Dr. Jerzy Plazewski.

A documentary essay about the period during which Andrzej Wajda went from being merely an observer of history to becoming one of its protagonists. The film covers the years 1976–2000 – from Man of Marble, through Man of Iron and the birth of Solidarity, the experience of martial law and Wajda’s involvement in public life, right up to his election to the Senate and receiving an Honorary Academy Award.

The trial of Yeshua Ha-Notsri is led by prosecutor Pontius Pilate who believes in the innocence of the accused but is forced to sentence him to death. This biblical story is set in present-day Germany.

At the Old Theater in Krakow Wajda staged a play in 1971, based on Dostoevsky's novel "Demons". In this documentary Wajda tells the story of the unique play that went on uninterrupted for 10 years despite opposition from the authorities.

A documentary celebrating the work of Walerian Borowczyk, a director of unparalleled sensitivity, revered in the 1970s, who was later labeled as a maker of erotic movies.

Film about the work of Ukrainian film director Kira Muratova.

The film is a portrait of Zygmunt Samosiuk, a great forgotten cinematographer, who died in 1983. As a director of photography he worked on such films as The Birch Wood, Landscape Afterthe Battle and Austeria. He introduced, among others, hand‑held camera shots, colour lights and shooting at minimum exposure. Reminiscences of his colleagues and friends, including Andrzej Wajda and Piotr Szulkin, show a gifted artist and a modest man who valued his work above all.

A famous Polish journalist presents a problem for the powers-that-be when he displays his full political skill and knowledge on a television show featuring questions and answers on a world conference by a panel of journalists. His enemies take away his privileges when he is away. The shock of being "unwanted" parallels a deeper disappointment in his private life: his wife has an affair with a jealous young rival, and after 15 years of marriage and two daughters wants a divorce. She offers no explanations as he tries to untie these problems himself. All the moves he makes are the wrong ones. He takes on drinking heavily with students eager to attend his seminar after discovering the class has been canceled. The journalist, once suave and commanding, is reduced to silence.

A few months before his death, Polish filmmaker Andrzej Wajda (1926-2016) revisited his work in an assembly room of the Andrzej Wajda Master School of Film Directing, established in Warsaw in 2002.

As an aging woman married to a workaholic doctor by chance meets a young man who makes her feel young again. All of this is films by a director making a film about her which cuts in and out of the on camera and off camera drama.

The making-of featurette of Andrzej Wajda's 2007 film Katyń.

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A record of a few months of struggle on the set, showing an atmosphere of work and a picture of immense film machinery, and at same time presenting the truest and intimate portrait of the Master of Polish Cinema, the Oscar winner.