Hiroko Matsuda

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?

A 1998 performance of Oriza Hirata's play set in a Tokyo museum sheltering paintings evacuated from a European war, where family and friends trade quiet conversations that reveal loneliness, love, and social unease, amid growing tensions.

In this black comedy the lives of a timid small-time printer and his young wife are turned inside out by the arrival of a stranger who moves in and takes over their world. Set in a village-like outpost in the heart of Tokyo, this is a wry commentary on Japanese xenophobia. Kiki Sugino heads a spritely ensemble cast.

Father, Father