Bahira Ablassi

The film was shot entirely in a nightclub, with an adjoining contemporary art gallery, whose customers are both Israelis and Palestinians, in one of Israel’s most open cities, Haifa. A long night in a place where the most diverse people meet: Jews, Muslims, gays, heterosexuals, transvestites; and three women, who in that multifaceted microcosm, a gathering peaceful hideout, can find shelter from male bullying and arrogance.

A journey from Jerusalem and start going to Jericho, keeping in mind that the first agreement that had been signed by Yitzhak Rabin was first dealing with Gaza and Jericho. We see a little hamlet of some Bedouin tents, called Khan El Ahmar. And it s a small community of 300 members. But recently there were threats to destroy it , which is not so much something that Rabin would like to hear.

In Jerusalem, Kamal, a 60-year-old Palestinian man, is ordered by an Israeli court to pay a large social security debt allegedly owed by his son Wael. But Wael drowned in the Red Sea decades ago. When no official record of his death can be found, Kamal follows the only remaining lead to uncover what happened to his son.

The film documents Amos Gitai's play "Golem" at the ancient theater in Pompeii, combined with fictional scenes. Within the historical narrative, themes resonating with the contemporary world emerge.

A diverse cross-section of Israeli society converges in a single multi-use building, the Shikun. As people of different languages, origins and generations come together in highly theatrical encounters, they grapple with the current state of affairs. In a poignant metaphor inspired by Eugène Ionesco’s famous play “Rhinoceros”, some begin to turn into rhinoceroses, while others resist.