François Périer

François Périer

Acting

November 10, 1919 — June 28, 2002
Paris, France
115 movies

Biography

From Wikipedia, the free encyclopedia François Périer, (10 November 1919 – 29 June 2002), born François Pillu in Paris, was a French actor. He made over 110 film and TV appearances between 1938 and 1996. He was also prominent in the theatre. Among his most notable parts was that of Hugo in the first production of Jean-Paul Sartre's Les Mains Sales in 1948. He was the narrator of the French-language version of Fantasia.

🎬 François Périer's Filmography

115 movies sorted by popularity

Belmondo: The Incorrigible
7.8

Charismatic and resourceful, seducer and daredevil, Jean-Paul Belmondo has always played his roles as he lived, at a thousand miles an hour. He had only one passion: to entertain the public with his smile, his naturalness, his energy, his stunts. But contrary to appearances, his destiny was full of pitfalls. This film lifts the veil on a founding childhood that allowed him to overcome many obstacles throughout his life thanks to the tutelary figures of his father and mother. Told from the inside with the help of his autobiography, interviews and unpublished archives, this epic story traces the career of this turbulent young actor who launched the New Wave in Breathless before becoming the popular Bebel, an indestructible and provocative vigilante. From film to film, this documentary paints an intimate portrait of a man who built himself up to reach the top: his triumphs but also his trials, his doubts, his secrets, his angers, his clowning, his disappointments or his personal dramas.

Belmondo: The Incorrigible

2022
La Pagaille
10.0

To a non-French speaker, the word La Pagaille looks charming, elegant, even tidy. However, it means "a mess," and a mess is just what the happily divorced Martin gets into when he and his ex-wife Brigitte, the mother of his children, rekindle their long-dormant relationship and announce that they intend to move back in together. Not only do the children find this whole thing confusing, but the husband's and the wife's lovers are equally befuddled. Add to that the need for Martin to meet Brigitte's lover and vice-versa, and you have the beginnings of a mess. When it begins to seem to Brigitte's former lover that he has offended the Muslims with a book he translated and he is slated for death, the whole thing grows yet more complicated. In this comedy, this list only scratches the surface of the messes these people must confront.

La Pagaille

1991
The Melbourne Rendezvous
5.7

Rendez-Vous a Melbourne is the official filmed record of the 1956 Olympic Games in Australia. At the time of its release, there was much controversy in the documentary-filmmaking world over the fact that the Aussies signed over exclusive distribution rights to a French firm, resulting in a boycott from other movie companies. None of this matters when the film is seen today: though not in the same league as Leni Reifenstahl's Olympiad, this 110-minute extravaganza is consistently entertaining. Fifteen cameras were utilized to lens every aspect of the event; it was then up to editors Jean Dudrumet and Monique Lacombe to burrow through miles and miles of film to cull the highlights seen herein. Portions of Rendez-Vous a Melbourne have since resurfaced in practically every Olympics documentary -- not to mention the many TV specials attending the now-biannual event.

The Melbourne Rendezvous

1957
The Bamboo Stroke
4.5

Albert is the irremovable waiter in a small bistro that has just been sold by his former bosses, Angèle and Léon. Angèle, having forgotten the ten million paid by the notary in a cab, prefers to feign madness rather than incur her husband's wrath; but Léon, in turn, eventually learns what has happened to his money, goes mad and kicks out the honest cab driver who comes to return the lost sum. A phone call from the police station later informs Albert that the money is at his boss's disposal; but as the boss is now in an institution, Albert borrows his identity papers and goes to collect the money - which he pays in full to the pari-mutuel betting house. After a series of shocks and counter-shocks, Angèle and Léon regain their senses enough to watch for the outcome of the race, and share with Albert the final winnings, which are very substantial.

The Bamboo Stroke

1963
Réveille-toi, chérie

Jacqueline, who lives in the country, has organized her life around her husband, whom she loves, and her lover, whom she has taken in for a little distraction. One lonely evening, when she has taken a sleeping pill before going to sleep, she doesn't realize that an indiscreet but courteous visitor has entered her house, soon overcome by the rest of the sleeping pill in a glass of water. The husband returns unexpectedly to find his wife lying next to the stranger: "Monsieur Masure" has great difficulty in demonstrating to the husband his innocence in this affair. But he succeeds. But Jacqueline is pretty and very tempting, so the Machiavellian Monsieur Masure concocts a whole affabulation to confuse Jacqueline and her lover - by telephone - and then make the latter believe that this famous artificial sleep was not such as to have prevented her from receiving the tributes that he, Masure, was delighted to lavish on her.

Réveille-toi, chérie

1961
We Want the Colonels
6.7

Italy 1973. Giuseppe Tritoni (Ugo Tognazzi) is an ultra-right-wing congressman that doesn't agree anymore with his fascist party policy. He contacts many Italian Army officers and built a net of relationship in order to organize a Coup d'Etat (Golpe). Something goes wrong and the Interior Minister (Home Secretary) Mr. Li Masi (Lino Pugliesi) got the all information about the attempted Golpe. So the Minister organizes a counter-Golpe. Tritoni desperately, to save his project, kidnaps the Italian Republic President (Claude Dauphin) that immediately dies for heartache. Now Minister Mr. Li Masi is free to lay down the law to the rest of the country, realizing basically the actual Golpe! Tritoni surrenders and will spend rest of his time trying to sell his ideas about managing Golpe in Africa!

We Want the Colonels

1973
François Périer | MovieMind AI