Inna Sukhoretskaya

Based on the play Boris Godunov by Alexander Pushkin, Dmitry Krymov’s Boris is a metaphor about the fate of Russia, its rulers and eternal values, subverting its ideas behind the cover of Pushkin’s text to show a direct line of the current governance of Russia with its imperial past, as well as all the myths on which Russian identity now rests. A flying raven, a poet, a folk choir, saints and sinners, living and dead - all come to life in the twilight of the Provision Warehouses of the Moscow Museum in this new interpretation of a classic work by one of the world’s most renowned stage directors.

Nathaniel, a reclusive network administrator immersed in the digital world, falls in love with a girl he only knows online. To meet her in person, he does a series of crazy things. He flies to Novosibirsk, to the middle of nowhere, where he discovers a third world—a world of absolute silence at night, where the nearest power outlet is two hours away. It's a world of unhurried conversations and tall pine trees, a world of grass and skies that doesn't exist in the city.

Father Frost and Snegurochka rob apartments during performances, but one day Snegurochka's conscience awakens.

Based on a play about a female dancer who finds her inspiration in the dirt markets of Delhi

The late Ivan gets out of the grave and goes home. A black comedy showing that there is no peace in the other world.

The film-spectacle “UFO” is the story told by people from the different countries around the world about their contact with an extra-terrestrial civilization. The play is some kind of therapy, as it touches on the basic structures of human mentality, such as egoism, safety, belief in god, gratitude, the spiritual path, etc. According to statistical research, 6 million people claim that they have had contact with aliens; 2 million of them say that they have been hijacked and spent some time in an unknown space. Only 9 tell about something absolutely unbelievable.