Eduardo Escorel

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

Immersive documentary in the film editing process. Twenty Brazilian cinema editors expose the nuances of this art, its secrets and processes.

Extras from the remastered DVD of the film São Bernardo by Leon Hirszman. The process of restoring the film, with testimonials from actors and the film's technical team.

Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.

The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martin Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."

Documentary in four parts on Latin American cinema. Second episode, evoking the border between fiction and documentary. With his film Tire dié (1960), the Argentinian Fernando Birri proposed this manifesto: to create a realistic and critical national cinema, closer to society without falling into populism.

Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.

The rescue of a real character from the work of Mario de Andrade. Chico Antônio is a singer and poacher of the interior of Rio Grande do Norte. As he climbed the stems to reach the fruits, he sang and enchanted those who passed by. And Mário de Andrade was one of those spectators, because he loved the warm climate of the equatorial lands

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Documentary that addresses, through the testimony of directors and actors, the work of Dib Lutfi, considered one of the greatest photographers of Brazilian cinema.

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