Brenda Meaney

During a bachelorette party in a secluded California farmhouse, masked intruders launch a brutal attack, forcing eight women to fight for survival. Led by Tess, a troubled military veteran, they unite to defend themselves throughout a harrowing night.

Author Jonathan Stack, who has been so obsessed with trying to pen his magnum opus that he’s let his marriage to Samantha, who is also his agent and editor, break down to the point where she announces she’s leaving him for her business partner.

Set aboard a houseboat on a fashionable reach of the Thames in 1911, The New Morality tells the story of how the brazen Betty Jones restores dignity to her household and harmony to her marriage, by losing her temper and making a scene. A rising star, Harold Chapin had numerous one-acts and three full-length plays produced before he was killed on the battlefield in 1915 at the age of 29. “When Harold Chapin fell in France the modern British theatre lost a comic writer of high order,” declared the Sunday Times. “For intellectual foolery, his New Morality has no equal in present-day work.” The play was produced five years after his death to great acclaim, and then languished in obscurity for decades until our “lavishly crafted”1 revival introduced New York theatergoers to Chapin’s “unabashed comedy with bite.”2