Samuel Fuller

In the days after the attack on Pearl Harbor, panic grips California, where a military officer leads a mob chasing a Japanese sub.

A veteran sergeant of World War I leads a squad in World War II, always in the company of the survivor Pvt. Griff, the writer Pvt. Zab, the Sicilian Pvt. Vinci and Pvt. Johnson, in Vichy French Africa, Sicily, D-Day at Omaha Beach, Belgium and France, and ending in a concentration camp in Czechoslovakia where they face the true horror of war.

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.

In Hollywood, the lives of a successful film producer, his wife, a police detective and a surveillance agent intersect after a botched abduction.

Anthropologist Joe Weber takes his son on a trip to the New England town of Salem's Lot, unaware of its vampire population. When the inhabitants reveal their secret, they seek Weber to write a bible for them.

Eddie Kenner is given a special assignment by the Army to get the inside story on Sandy Dawson, a former GI who has formed a gang of fellow servicemen and Japanese locals.

Israeli filmmaker Amos Gitaï offers a look impressionist long history of armed conflict in their nation.

Samuel Fuller’s throat-grabbing exposé on American racism was misunderstood and withheld from release when it was made in the early eighties.Today, the notorious film is lauded for its daring metaphor and gripping pulp filmmaking. Kristy McNichol stars as a young actress who adopts a lost German shepherd, only to discover through a series of horrifying incidents that the dog has been trained to attack black people, and Paul Winfield plays the animal trainer who tries to cure him. A snarling, uncompromising vision, White Dog is a tragic portrait of the evil done by that most corruptible of all animals; the human being.

Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.

After a film production wraps in Peru, an American wrangler decides to stay behind, witnessing how filmmaking affects the locals.

Mercedes is a taxi dancer who wants to be an actress. She's involved with the married Harry, who considers himself a respected actor. Ernesto is in love with Mercedes, but he doesn't dance or have money.

Chinatown, San Francisco, 1928. Former private detective Dashiell Hammett, a compulsive drinker with tuberculosis who writes pulp fiction for a living, receives an unexpected visit from an old friend asking for help.

A journey from Jerusalem and start going to Jericho, keeping in mind that the first agreement that had been signed by Yitzhak Rabin was first dealing with Gaza and Jericho. We see a little hamlet of some Bedouin tents, called Khan El Ahmar. And it s a small community of 300 members. But recently there were threats to destroy it , which is not so much something that Rabin would like to hear.

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

A rock star-turned-bum, his vocal chords severed at the height of his career for the love of a woman, drunkenly roams the city, torn apart by sponsored race riots. When accused of murder, he may have the chance to get revenge on the magnate who maimed him.

The unfinished documentary about the making of Dennis Hopper's mostly unseen feature film The Last Movie (1971).

Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris with the news that a great uncle has died, in Birobidjan, the autonomous Jewish zone in Russia, leaving him a valuable art collection and the hand of a huge sculpture of a Golem. The uncle's will instructs Danny to find the rest of the statue, so Danny, who speaks no Russian, embarks on a trip that takes him (and the Golem's hand) to Moscow, St. Petersburg, and Siberia, fumbling with hotel clerks, taxi drivers, and bureaucrats, following leads, and making discoveries about myth, story telling, art, and hope.

A crime story set in Paris about a Bonnie-and-Clyde couple -- how they got together and how they are pursued for a murder they never committed.

An intimate portrait of actor-writer-director John Cassavetes and a loving tribute to his genius for studying and depicting the human character. In-depth, candid interviews with his wife and muse Gena Rowlands as well as his most trusted friends and co-workers like Peter Falk, Ben Gazzara, Seymour Cassel, etc. Clips from Cassavetes' greatest films, and many rare photos illustrate this touching documentary.

A Finnish taxi driver in Berlin gets in over his head when he accepts a fare from two men with briefcases full of money stolen from ruthless gangsters.

A re-working, re-editing, and restructuring of Sam Fuller's The Big Red One bringing it closer as originally envisioned by the late filmmaker. It includes forty-seven additional minutes which was not utilized in the film's original release. Supervised by Richard Schickel, Peter Bogdanovich, and editor Bryan McKenzie.

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.

A rich, beautiful couple give birth to deformed alien twins who, when their heads are together, are the smartest kids on the planet.

A documentary shot during the production of Samuel Fuller's film The Big Red One.

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Though very polite and British, this feature-length documentary about German filmmaker Wim Wenders offers the most penetrating insights and the best overall critique of his work that I have encountered anywhere. Paul Joyce, who directed it, has also made documentaries about Nicolas Roeg, David Cronenberg, Nagisa Oshima, and Dennis Hopper, and he knows the conventional format well enough to get the most out of it. There are good clips and interesting commentaries from the interviewed subjects, who include Wenders himself, cinematographer Robby Muller, filmmaker Sam Fuller, novelist Patricia Highsmith, musician Ry Cooder, actors Harry Dean Stanton, Peter Falk, and Hanns Zischler, and critic Kraft Wetzel, who is especially provocative. A must-see for Wenders fans, highly recommended for everyone else. –Jonathan Rosenbaum, 1989

In 1993, Sam Fuller takes Jim Jarmusch on a trip into Brazil's Mato Grosso, up the River Araguaia to the village of Santa Isabel Do Morro, where 40 years before, Zanuck had sent Fuller to scout a location and write a script for a movie based on a tigrero, a jaguar hunter. Sam hopes to find people who remember him, and he takes film he shot in 1954. He's Rip Van Winkle, and, indeed, a great deal changed in the village. There are televisions, watches, and brick houses. But, the same Karajá culture awaits as well. He gathers the villagers to show his old film footage, and people recognize friends and relatives, thanking Fuller for momentarily bringing them back to life.

A trio of stepbrothers accompany their paralysed father on a jaunt to Normandy where the old boy saw combat and romantic action during the war.

Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.

A brief visit with Sam Fuller on the set of his film “White Dog” (1982).

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments.

Sexy young nurses administer a special kind of therapy on their daily rounds as they battle a drug ring operating outside the hospital.

An Englishman arrives in a remote French town near the coast to collect his broken-down car. What he sees there will change his life forever.

Documentary about the efforts to reconstruct Sam Fuller's The Big Red One closer to the film Fuller had originally envisioned.

The life story of Scott Joplin and how he became the greatest ragtime composer of all time.

Documentary filmed on-set during the making of Aki Kaurismaki's "La vie de Boheme"

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Short 35mm experimental film featuring Sam Fuller.

A montage dedicated to friends, actors and companions who have passed away over the years: from Francesco Tirone to Paviglianiti, two leading figures in the famous Cinico TV series, from Tommaso Lauria to Carmelo Bene. This journey down memory lane (and through pain), created especially for Fuori Orario, was broadcast on the night of Ferragosto.

Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).

Exposé of two news photographers covering the People's Revolution in the Philippines.

Documentary stems from 1945, when infantryman Sam Fuller, member of the U.S. Army's "Big Red One," helped liberate the Nazis' Falkenau death camp. Fuller shot footage of his commanding officer's marching Czech locals, who denied knowing of the genocide, out from town to view the horrors of the death house. 40 years later, French documentary filmmaker Emil Weiss brought Fuller, who became a famous film director after World War II, back to the death camp to tell the story of the camp's liberation. Fuller's original footage is incorporated in the film.

Episodes in the lives of two country girls at school in Paris and their opinions.