Emmanuelle Riva

Emmanuelle Riva

Acting

February 24, 1927 — January 27, 2017
Cheniménil, Vosges, France
66 movies

Biography

Emmanuelle Riva (February 24, 1927 – January 27, 2017) was a French actress, best known for her roles in the films Hiroshima mon amour and Amour. In 2013, Riva won the BAFTA Award and the César Award for her lead role in Michael Haneke's Amour as Anne Laurent, and was nominated for the Academy Award for the same role.[2][3] She had previously been nominated for a BAFTA Award in 1960 for Hiroshima mon amour, and had won Best Actress at the Venice Film Festival in 1962 for Thérèse Desqueyroux.

🎬 Emmanuelle Riva's Filmography

66 movies sorted by popularity

Belmondo: The Incorrigible
7.8

Charismatic and resourceful, seducer and daredevil, Jean-Paul Belmondo has always played his roles as he lived, at a thousand miles an hour. He had only one passion: to entertain the public with his smile, his naturalness, his energy, his stunts. But contrary to appearances, his destiny was full of pitfalls. This film lifts the veil on a founding childhood that allowed him to overcome many obstacles throughout his life thanks to the tutelary figures of his father and mother. Told from the inside with the help of his autobiography, interviews and unpublished archives, this epic story traces the career of this turbulent young actor who launched the New Wave in Breathless before becoming the popular Bebel, an indestructible and provocative vigilante. From film to film, this documentary paints an intimate portrait of a man who built himself up to reach the top: his triumphs but also his trials, his doubts, his secrets, his angers, his clowning, his disappointments or his personal dramas.

Belmondo: The Incorrigible

2022
L’Or et le plomb

The story is based on Voltaire's tale "Le monde comme il va" ("The world as it is"). Sent by the genie who presides over the destiny of Persepolis (Paris!), the Scythian Babouc carefully informs himself of everything, to tell the genie whether or not to destroy the city. This is the pretext for a series of interviews, scenes taken on the spot or reconstructed in the studio. We meet a musician who lives for his art and a Marxist historian, both of them optimists in the end; but also a war widow and an economically weak old lady: while the "fureur de vivre" gives free rein to the Golf Drouot and socialites hide their turpitudes behind a façade of good manners. A large, poorly housed family bravely faces up to its fate, and the children are happy; a working-class household talks about the union struggle, inhumane working conditions and reasons for hope. Finally, a poet sums it all up by talking about his commitment to the service of mankind.

L’Or et le plomb

1966
Emmanuelle Riva | MovieMind AI