Suzanne Lindon

When four distant cousins inherit a 19th-century home in Normandy, they decide to visit and examine their family history. No one has lived there since the 1940s, and the cousins are intrigued by all of the items they find there, little things that help them to understand their ancestor, Adèle Vermillard. Jumping back and forth in time, they meet the mysterious Adèle, whose bohemian lifestyle, and her relationships with the leading artists of the time, changes their lives.

After a typical day at the garage, a young mechanic swaps her stained overalls for a leather ensemble—as she shifts gears into a different kind of routine. Driving through bustling Paris, she helps a passerby cross the street, delivers plants to a hardware store, and picks up an enigmatic passenger.

At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.

A 16-year-old girl, bored with her own age group, becomes involved with an older man at a theater she passes.

Mauritius. A love story begins between Pierre, a local employee, and Louise, a French tourist suffering from anorexia. He shows her another side of his country: wild beaches, nightlife, bustling streets... Each, in their own way, dreams of escape and emancipation. But Louise's departure is approaching, and Pierre grows tense at the thought of staying on this island he is desperate to leave. He will risk everything in an attempt to escape a future that seems already written.

A look-back at popular French movie "La Boum" (The Party).

A few years after "I Don't Know If It's Everyone", Vincent Delerm continues his documentary and sensitive exploration of feelings in a second film, this time tackling the most vibrant of all: the feeling of love. Delerm operates alone and grabs his camera to explore women and men, anonymous, artists, acquaintances or friends, in the spring or winter of their lives, all dissimilar but all in unison when it comes to evoking with delicacy, emotion or humor their relationships with the vertigo of love.