Jean-Paul Moulinot

Jean-Paul Moulinot

Acting

June 30, 1912 — December 3, 1989
Nice, Alpes-Maritimes, France
44 movies

Biography

Jean-Paul Moulinot (30 June 1912 – 3 December 1989) was a French actor, sociétaire of the Comédie-Française. Elisabeth (Yvette) Hardy (1917-2000), a comedian at the TNP, was his wife. Close to Jean Vilar, he took part to the first Festival d'Avignon in 1947 and from 1951, the year the TNP reopened, he belonged to the troupe where he remained during all the years Jean Vilar was the director, then joined the Comédie-Française until his death. Source: Article "Jean-Paul Moulinot" from Wikipedia i...

🎬 Jean-Paul Moulinot's Filmography

44 movies sorted by popularity

The Devil and the Ten Commandments
5.7

The film consists of seven roughly 15 minute episodes, each showing what will happen if one or more of the Ten Commandments will be broken: Jérome Chambard is warned that he will lose his job if he continues to swear; Françoise Beaufort enamored of a stripper calls on her only to find her married to a janitor who doesn't know what kind of dancing his wife performs; Denis, a Jesuit novice, leaves the order to avenge his sister's suicide, which was provoked by Garigny, who seduced her into prostitution and drug addiction; Philip buys a necklace for Micheline though he is bored with her; a young man find out that his real mother is not Madeleine, but actress Clarisse Ardant; Didier Marin, cashier of a bank, was fired by his boss; the Devil appears as a serpent for Jérome Chambard and the bishop are eating.

The Devil and the Ten Commandments

1962
We Are All Murderers
6.7

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

We Are All Murderers

1952
License to Kill
7.0

Didier Formenter, the French scientist, has just put the final touch on an invention that will be able to destroy to destroy any sort of flying apparatus. An international crime gang is very interested in stealing this equipement to sell it to the higher bidder of lawless nations. Menaced, the scientist, who was friends with Nick Carter's father, calls Nick for help. At Nice airport, Nick Carter escapes death, but that night he is unable to stop Formenter's murder. He suspects Bruno, Formenter's adoptive son, and Tonio, the owner of a bar near Formentier's home. Bruno is actually after Formenter's heritage, and for that he tries to kill Catherine, Formentier's granddaughter. Therefore, Nick Carter finds himself against more than a gang, but he will uncover the plots, in time to break every gangster apart.

License to Kill

1964
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