Alessandro Lui

Arturo is a lonely, gluttonous, and disillusioned Sicilian real estate agent. His mundane life finally finds its spark through his one true passion: Sicilian pastries. It’s over a tray of cannoli that he meets his soulmate, Flora. She is everything he ever dreamed of—beautiful, witty, and brilliant. To top it off, she’s a pastry chef. However, a divine obstacle stands between them: God. While Flora is a devout, fervent Catholic, Arturo abandoned his faith as a child. Desperate not to lose the woman of his dreams, he decides to "fake it 'til he makes it," pretending to be a man of deep conviction. Guiding Arturo on this chaotic journey toward truth, faith, and Flora’s heart is an unlikely mentor and friend: Pope Francis himself.

The Pantani case, a film directed by Domenico Ciolfi, tells the story of the last five years in the life of the cyclist from Romagna, in particular from 5 June 1999, when he was suspended from racing, to 14 February 2004, the day of his death. His untimely death in unclear circumstances, which have opened several judicial inquiries, was a shock to the world of cycling, which lost its Pirate on Valentine's Day. The film is a tribute to this Italian sporting hero, remembering him as a young man who, riding his bike, reached several milestones but was defeated in a fatal match.

A long night in a psychiatric hospital, in 1962. A forced pact between a nurse and a patient, in which the latter is subjected to inhumane practices. The Human Hourglass is a minimalistic portrayal of suspended time, shared loneliness, and the possibility of surviving alienation through a small revolution: caring for others.