Marta Zięba

Polish-born Russian subject Cezary Baryka comes of age during a tumultous period of ten years from 1914 to 1924, during which he witnesses revolution, rebirth of Poland, war with the Soviets and communist plots.

Monika and Enzo's whirlwind romance heads toward a fairy-tale ending until a bombshell revelation changes everything.

Cezary and Danuta's relationship almost breaks up when her husband discovers that his wife has a cell phone and probably cheats on him.

Desires, obsessions and unfulfilled love - the psychedelic formula of the play pushes the previous boundaries of communication with the audience.

Afonia's husband is an ex-boxer, an ex-inmate of a Nazi concentration camp and almost ex-living person as he is paralyzed after an accident. Her daughter is already married. And although Afonia's name is Russian, she is Polish. The only thing both heroines share is love to another strong, handsome and addictive man. A Russian man.

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After a particularly embarrassing performance, a struggling Polish actor chooses to quit his acting troupe. In desperation, he returns home, only to find his dying mother has replaced him with a farm hand from a nearby mental institution. Alienated and depressed, he attempts to find his place in the world by driving out his replacement as completely as possible.