Mizuki Chiba

The second original play produced by theater troupe Zero Terra, a sequel to CRUD (2022).

A recurring four-against-one game of “tag” at the manor. It was a stage with no final act, where neither survivors nor hunters could escape, each carrying their past and their desires. Edgar, a painter newly invited to the manor, finds himself in the midst of this life-or-death game, where he encounters raw inspiration that shakes him to his core. Facing him is Galatea, a sculptor who ceaselessly seeks her “perfect self” and is obsessed with a maddening ideal. The encounter between these two artists shines an even deeper light on the darkness within each of them. Will they ultimately seize what they desire? Or— will they sink into the abyss of art?

Jack introduces the new mode Blackjack, to the survivors and hunters in the manor. Each of the featured pairs -- Emma and Robbie in Side A; Naib and Jack in Side B; and Kevin and Michiko in Side C -- must learn to work together and try to win in this new kind of challenge, as teammates rather than enemies.

One night, a mortician passes through the gates of a manor. He says he came to this place because of an invitation, and the locals tell him some unbelievable things. First, he can never leave the manor. Second, a special "game" is held every day against terrifying hunters. Third, if you receive an invitation to the "game," you are confirmed to participate. You cannot escape. The mortician, who was caught up in it without any preparation or resolve, meets Joseph, a cold-hearted hunter, in his first game.

As the Genji face destruction by the Heike, Abe no Seimei and Kiichi Hogen enter the conflict while a Portuguese merchant named Michael offers a mysterious deal to both sides.

A four-on-one game of tag, win it and I shall grant you any wish. No matter what that "wish" is... Amidst the inexplicable games played between Survivors and Hunters within the manor, "that person" who should not exist has appeared. The Phantom. Before long, both Survivors and Hunters began to call him by that name. In order to solve the mystery, the Survivor "Prisoner" and the Hunters Wu Chang each begin to make their move. In the process, they will find themselves confronting their own pasts. Just what, exactly, is the Phantom?

The survivors and hunters were engaged in a mysterious game within the manor. A prospector seeking golden "treasure" and a night watchman obsessed with "complete victory" meet, clash, and continue to fight, each burdened by their respective "pasts." At the end of this never-ending zero-sum game, where can we find the "light" of salvation? Those who try to crawl out of the darkness and those who try to embrace and protect the darkness Will they be able to have it all? Or...

A new hunter, Bloody Queen, arrives at the manor. Due to her expectations of royal treatment, she has trouble adjusting to life there. The Survivor Eli Clark reaches out to her, but in her tempestuous state of mind, she lashes out at him, and he becomes trapped in a mirror world. In the mirror world, all of the hunters and survivors have been reflected as courtiers and servants in the queen's castle. They do not remember their pasts, but Mary will not let the illusion break so that everyone can return to the manor. But under the glistening surface of constant parties and pleasure, a plot is brewing, and Eli realizes that he must convince Mary to let her illusions go before it is too late.

One night, a mortician passes through the gates of a manor. He says he came to this place because of an invitation, and the locals tell him some unbelievable things. First, he can never leave the manor. Second, a special "game" is held every day against terrifying hunters. Third, if you receive an invitation to the "game," you are confirmed to participate. You cannot escape. The mortician, who was caught up in it without any preparation or resolve, meets Joseph, a cold-hearted hunter, in his first game.

A Bakuken stage production centered on the Shinsengumi, continuing the alternate-history sword-fighting anthology created by Yoko Taro and Ichidai Matsuda.

A rebooted version of Zero Terra's original CRUD play from 2022.

Musical adaptation of the otome game with the same name.

In the wake of a scandal, Arato Nikkuni is demoted from his elite government job and transferred to the remote island of Izumosuito. There he encounters the grand casino CRUD, and its young yakuza boss, Yuki Tensho. Inexplicably drawn to one another, their beliefs clash, and the two soon become embroiled in a life-or-death power struggle. On top of it all, Izumosuito happens to be home to a powerful supernatural force, sealed away at the bottom of the sea... CRUD is the first play produced by Yu Akahoshi's theater troupe, Zero Terra. It ran from September 28th - October 2nd, 2022 in Tokyo.

In the Taisho era, Imperial Army Major Yoshifuru Akiyama summons swordsmen from the Sengoku period and forms them into an assassination unit, setting Nobunaga’s new ambitions in motion.

An improvised murder mystery play with a rotating cast.