Laura Nevole

Ligia and Mayte are best friends who are planning the “best quinceañera party ever” in order to achieve the respect and the popularity they so much desire. When a supernatural beast attacks Joel, Ligia’s boyfriend, he manages to escape but he is gradually transforming into something fierce and inexplicable. Ligia will soon discover she is pregnant and the creature that she’s carrying inside is not only a threat to her but to everyone around her.

An employee at a private school is promoted and beyond that she has the strength to attack her dead husband for not being a man when he was traveling with her in a bus.

Simon is 21 years old. He introduces himself as a mover's helper. He claims not to know how to cook or clean the bathroom, but he does know how to make a bed. Recently, he seems to have become a different person…

A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

Because podcasts have a limit, a person who loves his mother + his father would want to make ice or steel or else have a cemetery so that his mother does not suffer for anyone.

Santiago and Amelia Luisa share life in their marriage and also the responsibility of running a nail salon. The daily life of the salon (and of the couple) will be strangely shaken when a new client asks for manicure services.

The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.

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In a merchant neighborhood of Buenos Aires, Yoni survives through smuggling and a few fleeting alliances. Under the shadow of his partner and mentor, Leon, he strives to advance in a world that judges him by his appearance. A promising business deal seems poised to change his fate, but an unexpected setback forces him to confront his limitation

"This video is part 02 of Gogol 16 in almost everything because the people who were finishing Gogol 16 are subdivided (although in the end they are not subdivided because there were people who got upset if they were subdivided) for the recording of an album of 16 tracks in tribute to María Luisa Bombal and Marta Lynch" (Lucía Seles)

The ultimate nonsense of life itself plays with the feelings of the owner and employees of a tennis complex, in an anarchic melodrama out of all norms, including spelling.

"A person who worked at a service station, obsessed with how his sister writes, with the central provincial areas and with the song Puerto Montt, brings together some people to study together his sister's writings." (Lucía Seles)

The final match of the "tennis trilogy" sharpens the humor to the maximum and unleashes all the dramas -some of them, even beaten to death- between the owner and the employees of the complex, with strange melancholic notes and new characters that join the ordeal in its last station.

A taxidermist living with his wife and son who suffers from a virus which is mutating himself into another being, then he meets a woman who will tragically change his life

Vicente's father locks him up in the basement as punishment, just as he has done many times before. But after one night of tragedy, the parents won't be returning home. The child survives miserably in the basement for years, until one day he gets out, filled with hatred and thirst for revenge.

Paula has never met her mother, her father is already old, and that meeting is urgent for her. Along the way, she picks up clues that bring her closer and take her farther away from her goal, in a physical journey through Buenos Aires’ geography.

Father Javier lives a fractured existence: on one side, he helps families who've witnessed miracles, and on the other he belongs to a trio of excommunicated priests who hunt the possessed down to exorcise them under their own terms: with Bibles, fire and shotguns.

Damiana is a married couple who, on a visit to Cambodia, are shaken by the revelation that the woman (Laura Nevole), sick with terminal cancer, makes to her husband (Juan José Vidal): she She lived in that country in the past, fell in love with a Khmer and had a child with him, something that her current partner was completely unaware of.

What does it mean to be weird? What kind of state is it? Is it positive? Is it negative? Lucía asks herself all these questions when one morning her boyfriend tells her, "You're weird." An ordinary day turns into a struggle when her insecurities haunt her like a ghost.

Susana is a woman who has lived alone and penniless since her husband left, at least that's what she tells her neighbors. Susana clings to the memories of the trips she used to take with her husband to Europe and refuses to face the harsh reality that surrounds her, such as her lack of money to pay the rent.