Bill T. Jones

Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would.

A Cincinnati museum director goes on trial in 1990 for exhibiting sadomasochistic photographs taken by Robert Mapplethorpe.

A portrait of New York artist Keith Haring. The film looks to Haring as an artistic role model for his preternatural talent, of course, but also for his infectious lust for life that had him as committed to social activism and teaching children as to his latest painting.

An examination of how the American flag can be reclaimed as a symbol of unity for all Americans, with a focus on the LGBTQ community.

As a new chapter begins in this country, THE BLACK LIST offers a dynamic and never-before-heard perspective from achievers of color. This series of inspired - and inspiring - observations on African-American life in the 21st century forms a roll call of some of the most compelling politicians, writers, thinkers and performers ever to tackle their fields of endeavor. Watch the interview-portraits and get a sharper snapshot of where this country has been and where it's headed.

Bill Moyers and filmmaker David Grubin give viewers a rare glimpse into dancer/choreographer Bill T. Jones’s highly acclaimed dance Still/Here. At workshops around the country, people facing life-threatening illnesses are asked to remember the highs and lows of their lives, and even imagine their own deaths. They then transform their feelings into expressive movement, which Jones incorporates into the dance performed later in the program. For this documentary, Jones demonstrates the movements of his own life story: his first encounter with white people, confusion over his sexuality, his partner Arnie Zane’s untimely death from AIDS, and Jones’s own HIV-positive status.

A rural American town suffering economically from factory closures finds an unconventional route to recovery with the help of MASS MoCA.

On four consecutive evenings between September 30 and October 3, 1982, Award-winning choreographer/dancer Bill T. Jones presented four dance pieces at The Kitchen. The documentation of those dances represents a snapshot of the early 1980s dance scene.