Jain Andrews

The story follows Chandra, a mysterious, goth-influenced woman who has just moved to Bangalore and begins working night shifts at a café. Across the road from her apartment live Sunny and Venu, two aimless bachelors. Sunny becomes infatuated with Chandra, observing her odd routines, strange visitors, and reclusive nature. Their dynamic changes when Sunny gets a glimpse of Chandra in her act.

A demoted police inspector investigates a counterfeit jewelry racket, becoming entangled in a dangerous web of crime that puts his life at stake.

In the misty hills of Kaattukunnu, an aging woman and her servant boy struggle to survive the ghosts of the past, as the hunt for Kuriachan — a legendary dog breeder and outlaw — blurs the line between myth, memory, and vengeance, revealing that even in absence, he still rules the hills.

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In the backwaters of 2000s Vypin, Jose finds his home besieged by religious fervor after discovering a biological, winged man in his tool shed. Jose tries to navigates the chaos amidst priests, politicians and people.

In Kochi, the lives, work, and relationships of a bunch of young people overlap as they try to navigate their role in the film world.

Plunging into a virtual reminiscence challenge to assuage his sorrow, a heartbroken dad uncovers a shocking revelation about Frida Soman, his long-admired icon and globally beloved luminary.

Thankam follows the story of Muthu and Kannan, two gold agents from Thrissur, known as the gold capital of India. As they travel across Kerala and Tamil Nadu, delivering consignments of gold, their lives take a dark turn when a routine trip leads to unexpected complications.

Kora and his brother Onan gather four men to go on a gaur hunt in order to make some quick money. Their journey progresses through their dreams, desires, fears, fantasies and struggles. Distanced from their families and loved ones, sharing stories help them remember and appreciate their inescapable pasts and make bonds. When the real and imagined nature turn out to be larger than their will and strength could handle, they learn the harsh realities of the endeavor they have taken up.

Kodamazha Suni, a retired organised crime leader, is compelled to return to his homeland after his former gang is attacked by an unknown adversary. Haunted by his past decisions, Suni's journey mirrors the battles of ancient warriors, as he faces his greatest adversary yet. As the conflict deepens, Suni’s thought process is explored through the wisdom of an ancient Chinese text, revealing the timeless struggle between strategy, surveillance, and survival

Chances are, every person, healthy or not, lives a life that, over time, threatens to take away all the memories they possess, to strip them bare of every trace of the life they’ve lived, or at least a large part of it, regardless of its importance to them. And one day, you realize that some may have already slipped away, with no way to retrieve them. That the people you shared them with are no longer around. That you are the sole keeper of those moments. And you begin to find ways to preserve what remains, in every fleeting instance of the life that’s left. Alone.

Sony is a kind man, a good Christian. He is always willing to lend his fellow villagers a helping hand, assist struggling children with their school lessons or organise volunteer activities. When an outcast family is struck by tragedy, he negotiates with the Church to rehabilitate them financially. Sony is not just the connective tissue, but the beating heart of this small Catholic village. Under his genial exterior, however, lurks something dark.

The film's narrative revolves around a bed and its three occupants. It follows Rugmangadan, who wakes up in his car and is pursued by goons.