Marina Pierro

An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.

On the surface the women at the convent are your average nuns. However, what they get up to in their spare time is far from what you'd expect from nuns.

Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.

Hugo, a vain clothing buyer, meets Myriam on a train and pursues a relationship with her. He is delighted to learn she is a prostitute and has no idea she has more in mind than Hugo bargained for.

The first episode – featuring frequent Borowczyk muse Marina Pierro – is the longest and, in a way, most substantial: it’s set in Renaissance Rome, with the lusty (and perpetually nude) leading lady sexually involved with famous painters and church benefactors. The second episode is the most notorious and, consequently, gave the film its controversial poster – featuring a rabbit slowly disappearing under the skirt of a teenage girl (played by Gaelle Legrand). The third and final episode, which has a modern-day setting, is the shortest – but also, possibly, the most outrageous: Pascale Christophe is a young married woman who’s abducted on a busy Parisian street by a small-time hood hidden inside a cardboard box!

In 19th century London, a sex maniac sneaks into the engagement party of Dr. Henry Jekyll and Miss Fanny Osbourne, turning the event into a nightmarish whirlpool of murder and debauchery.

Young student Claudine has a dream in which the Roman student Cornelius, fascinated by the beautiful wife of the commander, attends lectures on the art of love of great Ovid. Ancient tragedy repeats itself in a few centuries ...

A toxic spill revives a beautiful, dead heiress who, with the help of her childhood friend, must quench her insatiable thirst for blood.

PHANTASMAGORIA OF THE INTERIOR is an audiovisual essay devoted to Walerian Borowczyk's film THE STRANGE CASE OF DR. JEKYLL AND MISS OSBOURNE. Utilising the materials of the complete, restored version of the film, and its French language soundtrack, the film offers a new way of looking at, understanding and appreciating Borowczyk's intensely cinematic art. Particular attention is paid to a painting by Vermeer of a pregnant woman, introduced early into Borowczyk's film, and reappearing at key moments. Beginning from this painting - its content, style, and historical background - particular aspects of the film are explored: its unusual pictorial compositions; the mingling of sexuality with violence; and the association of men and women with (respectively) open and closed spaces. The film argues that Borowczyk brings a surrealist sensibility to his free adaptation of the Jekyll and Hyde story, especially emphasizing the transgressive, revolutionary role of the free-spirited Lucy Osbourne.

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David and his wife Gilda transform their beautiful villa in a brothel, which are home to several characters. Odile, the daughter of a woman tortured by mercenaries, meets in the villa one of the torturers and want to relive over his own body the suffering endured by the mother. An ambassador who was abandoned by his companion, imposes its new partner to take his place. An eighteen year old, very open-minded, staged an orgy.

From Boccaccio's "La précaution inutile". Jean, a rich old merchant, is blessed with a young and beautiful wife. Although Bianca is absolutely faithful, he, tormented by jealousy, accuses her of the worst depravities.