Miguel Dedovich

Martin is a neurotic web designer taking baby steps out of the isolation of his one-room apartment and his virtual reality. Mariana is an artist fresh out of a long relationship. They are perfect for each other, live on the same street, in opposite buildings, but they never meet. Can the movement of a modern city of three million people bring them together?

Close-up on a man who censored films during the last military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.

Christian is a Copenhagen wine seller on the brink of bankruptcy. Equally unsuccessful in just about every other aspect of life, it has been 17months since his wife Anna left him. Anna works as a soccer agent in Buenos Aires and now lives a life of luxury with Argentina's top player Juan Diaz. Then one day Christian and their 16-year-old son Oscar get on a plane to Buenos Aires. Christian arrives under the pretense of wanting to sign the divorce papers, but in truth, he wants to try to win Anna back.

A retired boxer is willing to do anything to return to the ring and conquer the woman who never wanted to reciprocate him.

Eight year old Lucas would like to know how the Tooth Fairy exchanges coins for teeth without getting caught. He is determined to stay awake all night to find out. Meanwhile, a little mouse falls into a trap set by a dishonest contractor who is desperate to tell the world his secret, that the mouse is the Tooth Fairy. Lucas and his family has to do everything in their power to help the sweet little mouse with its mission, which since time immemorial, is to make children happy...

The Night of the Pencils was a series of kidnappings and forced disappearances, followed by the torture, rape, and murder of a number of young students during the last Argentine dictatorship (known as the National Reorganization Process). The kidnappings took place over the course of several days beginning on September 16, 1976.

A young businessman, owner of a major publishing house, is found shot to the head. Everything suggests a murder, since he was doing a journalistic investigation about a shady business.

Traveling dentist O'Connell traverses South America on his motorcycle for the 'Eversmile' foundation of New Jersey, in a fight not only against cavities, but also against fear, ignorance, indifference - and established antediluvian dentists. During a stop at a lonesome garage he meets Estella, who is supposed to marry a few days later. However she'd rather come with him - to meet a former boyfriend in another town, she says. Expecting problems, he refuses to take her, but she tricks him into it and then tries hard to convince him of her qualities and let her stay with him.

No description available.

The film focuses on the journey of General Juan Facundo Quiroga, with a very compromised health, to the north in order to resolve the conflict between the provinces of Salta and Tucuman.

Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.

A businessman travels to Patagonia and tries to convince people who live in the area to build an expensive hotel regardless of a building of such magnitude could destroy the beauty of the place. He will learn a valuable lesson about environmentalism.

An Argentinian medical student, finding himself drawn to the countryside, houses with a Scottish/Native family where he reads the illiterate family the Gospel of Mark to then be found in a debacle of religious proportions (as he was not a pious man himself, but becomes more of a religious figure in their eyes).

After losing their bearings, a group of Chilean soldiers learns some lessons about their enemy's humanity in this dark comedy set during the 1970s war between Chile and Argentina. Digging in where they are, the troop soon discovers a nearby Argentinean platoon. Unsure how to handle the situation, the two groups start passing notes via a stray dog, and eventually achieve a wary camaraderie.

The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.

"El Pollo," a 13-year-old child in reform school, witnesses and experiences the brutalization of the guards and the other inmates.

In a country that has been broken down and corupted by poverty, Pablo and Mario are best friends and local thieves. Although they come from very different backgrounds, they help each other out by commiting petty crimes that help Pablo support his family and Mario become independent from his own. In a twist of fate, they become involved in a kidnapping that goes sour. This tragedy triggers and unmasks a series of events that changes their lives forever. Now the two friends will be tested and their lives taken to the limit.

Luciano works in birthday parties and writes his first feature when friend Manuel returns from Spain to repeat his TV show, "The Paranoids", together with his girl Sofia. Manuel is everything he is not and him trying to be helpful in his career and with women, only worsens the conflict.

A couple, a relationship, the feelings that are mixed with fantasy, the presence of the other is real or only what the mind allows to be embodied exists.

A review of fiction about the life of Florencio Parravicini.

In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.

No description available.