Kan Mikami

Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash.

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

Based on the true story of former professional boxer Iwao Hakamada who has spent over 40 years incarcerated on death row. Iwao Hakamada was arrested for the June 10, 1966 murder of a family in Shizuoka . Iwao Hakamada has always insisted on his innocence and many others also believe Iwao Hakamada has been falsely accused ...

Based on the "2.26 Incident", an attempted coup d'état in Japan 1936, launched by radical ultra-nationalist parts of the military. Several leading politicians were killed and the center of Tokyo was briefly held by the insurgents before the coup was suppressed.

The seventh in the shocking "Jingi Naki Tatakai" movie series, which exposes the true lives of the yakuza that is hidden by a mask of "jingi". The next stage of this continuing drama is the Kanmon Channel where the Owada and the Kyoei groups are battling for territorial rights and drug smuggling. The Owada sends their man, Tetsu, and his friend Shuji to kill the Kyoei boss. With the promise of fame and riches, Shuji takes the fall and goes to jail for 7 years. But when he's released, he discovers that he and Tetsu have been all but forgotten by the Owada. Feeling betrayed, Shuji takes matters into his own hands and becomes an unsuspecting pawn in an internal conflict and an assassination attempt on the Owada boss. And now angered, Shuji seeks revenge...

Chiba, looking gnarly, and acting as animalistic as ever, stars alongside Matsukata as violent gangsters battling their way through fight after bloody fight with rival yakuza on the streets of Okinawa.

The eighth sequel of the series by the successful “Fukasaku and Bunta” collaboration revolves around the men of a lesser organization that are constantly bullied by the upper organization and “bleed in vain” in gang wars.

A director faces creative block while working on his latest film – a reimagination of his adolescence growing up in a mountain village in rural Japan.

Amidst Japan's postwar economic boom, yakuza factions in Osaka fight for survival when Japan's largest crime syndicate plans a hostile takeover.

Life and love stories of stunt men and women.

A precarious loner sneaks into a blind woman's home and begins living there without her noticing. Meanwhile, the woman mourns her recently deceased father and struggles to remain connected to the world.

In 1940, Kubota Shoten, which has been in business for generations, goes bankrupt due to the debauched lifestyle of its president, Kunimitsu Kubota. Subsequently, Kunimitsu moves back to his hometown and his children are sent to live with other relatives.

Inspired by a street interview about married sex life a TV food show host accidentally finds a way to help his little problem in bed.

A stripper reluctantly returns to her manager and husband with her new lover in tow. The lover tries to claim her but after escaping a beating he takes to the road alone meeting several women along the way.

Mami is about to give birth and is busy preparing for her baby. Her husband, Murakami, is an office worker, but suddenly stops coming home. Mami is left feeling anxious about her days. Kubo, who lives in the apartment next door, keeps a watchful eye on her. Kubo is a writer who lost his pregnant wife in a traffic accident, so he has an unusual interest in pregnant women and is strongly drawn to Mami. Her husband, Murakami, has abandoned his family and is running away with his lover. And so is something between Mami and Kubo...

Test driver Hayami loses control of his car and rolls over. His company then learns that he has kept secret that he is visually impaired, and he is fired. Without the prospect of returning to his old job he makes a plan to rob several jewelry stores. A few days later, Hayami escapes with stolen goods worth 80 million yen in a violin case on a Kyoto city bus. A wild chase ensues.

In front of a man who wants to be a movie director, Shingo, the ghost of Mr. Kawashita, who was a senior in the college film research department who committed suicide a year ago, suddenly appears on his death anniversary. Mr. Kawashita says that he was revived because he wanted to have sex with his junior, Aoi, who had a crush on him when he was in college. In order to fulfill his desire to work with Aoi-chan, Kawashita-san and Shingo will travel back in time on that day when he was in college, which was probably the only chance for Kawashita-san to work with Aoi-chan. There was a nostalgic college Aoi-chan there. Can Mr. Kawashita redo the past and do it with Aoi-chan? It's funny, but a little sad time slip love story begins.

After an accident a husband becomes impotent. To help solve the problem of having a sexy wife with an overabundance of desire he invites his three best friends to help out.

A film about an orphan kid in Japan in 1943

If you loved movies such as Shonen Merikensack and GS Wonderland, then this one, which predates the former, will impress you as well. The story is set in the 80s rock scene and revolves around Nakajima (Kazunobu Mineta), the lead singer of a band called 'Speed Way'. Because he refuses to write trite, pop-friendly songs he is constantly at odds with his own record company. However, he refuses to bend on his rock principles simply for better record sales. The most interesting parts of this movie is how they pay homage to music icon, Bob Dylan who gave the filmmaker his blessing, which is no small feat itself, especially for a Japanese indie debut.

Fictionalized account of 20-year-old Noriko Tsuji, a real-life victim of a severe birth defect which afflicted 8,000 Japanese, children whose mothers took the sedative thalidomide during pregnancy. Tsuji has stunted flipper-like arms amputated at the behest of a father who deserted her soon after her birth. Nonetheless, the resourceful Noriko uses her feet to accomplish most of the tasks others would do with their hands.

Omnibus by three young directors in the spotlight of Japan’s independent film industry, dealing with the theme of “lost virginity.” Yoshida Koki, whose film {Household X} was an official selection for the Berlin International Film Festival’s Forum, depicts a woman in her thirties losing her virginity. Kazuyo (Masaki Sawa) is a 35-year-old pharmacist living quietly on her own. One day, her interest is piqued by the pseudo-sexual harassment approach of Ryo (Yanagi Shuntaro), a high school youth, and her body gets a taste of sexual desire.

No description available.

In the winter of 1945, Sakura the elephant gave birth to a baby elephant at Tokyo Fujimi Zoo under the watchful eye of the zookeeper Shota Tanabe. Around the same time, Shota's wife, Setsuko, also gave birth to a son. Hanako, the baby elephant, grows up while deepening her bonds with elementary school students who love zoos. However, as Japan enters the Pacific War, the military orders the animals in the zoos of five major cities to be killed.

Betrayed and disgraced, big-city reporter Kazuya Mizuno is banished to a desk at Kaname's boring little town newspaper. But Kaname isn't as boring as it seems on the surface. Not with characters around like Shimeko, a girl genius with a childlike lack of propriety, and her ace fisherman/folk-singer dad. Or the overbearing and unpleasant local Shinto priest, a former Christian cultist. Or Endo, Kazuya's new colleague, a bitter drunk after his son's suicide. Or Kin, a former terrorist, now a hermit on his boat engaging in secret "research." Or perhaps most importantly Teruko, the hypnotically beautiful bar owner, the focus of all manner of innuendo and intrigue. Something mysterious, even mystical, is going on Kaname, and hapless Kazuya is about to be thrown into the middle of it.

Based on the novel by Osamu Dazai and distributed by ATG. The story of a young man who is caught between the breakup of the traditions of a northern Japanese aristocratic family and the impact of Western ideas. In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title) and goes down the stairs to self-destruction step by step.

Ken Momose, an AV actress scout, is a master of seduction, hitting the mark every time and never letting his target escape. He successfully seduced Miyuki, a serious young college student, and got her to debut as Hikaru Hokuto in the AV industry. He also charmed Asuka, a haughty Miss Campus from a certain university, and Kanae, a beautiful office lady with scopophobia. Ken is full of confidence after receiving high praise for his skills from his company. However, behind these successes was the cooperation of Miyuki, who retired from AV and is now researching the psychology of sexual urge induction. At this time, Nozomi Fujiwara, a genius catch saleswoman, throws down the gauntlet to Ken! Can Ken win against Nozomi, who could be considered a fellow seduction expert?

No description available.

How did two sisters from Tsugaru survive in the big city of Tokyo? The older sister passed the nursing exam and works at a major hospital in Tokyo. Meanwhile, the younger sister works as a menial laborer for a grimy obstetrician in a working-class neighborhood. The older sister, with a saintly face, works as a nurse, but in secret, she is consumed by carnal desires for men, while the younger sister, a naive and innocent country bumpkin, is trampled upon in the hell of adult lust... For some reason, these two contrasting sisters end up fighting over the same man... What will be the outcome of their fate?

Former mercenary Masahiko Yoshida (Akihiko Sai) is a private detective who is grieving over the loss of his lover (Keiko Izumi) a year ago. One day, he receives a request from a young woman (Suzune Toyama) to find her sister, Enka singer Sakura Tanizaki (Sayuri Taki), who has disappeared. What seems to be a simple missing person search soon turns into a case involving one of Osaka’s most influential yakuza gangs. Yoshida realizes that the leader of the Kosaka clan (Choshu Kagei) was also behind the murder of his girlfriend. Yoshida's only allies are his former mentor (Kan Mikami) and his two best friends, restaurant owner Tatsuo (Tatsuo Morizawa) and bartender Aya (Tsuyu). Against overwhelming odds, Yoshida fights alone in the water city of Osaka, and is drawn into more turmoil. Not unlike a sailor being lured by the sad voice of the Sirens.

The first part of Satoru Mizushima’s film project depicts the final twenty-four hours of seven Japanese political and military leaders sentenced to death by the International Military Tribunal for the Far East.

Kenji is a struggling office worker in his mid-50s. One day, while drinking with his junior colleague Hasegawa, Kenji noticed a young girl's gaze. His wife, Mako, had become domestic and lost her charm since their marriage. Because Kenji wasn't making love to her, Mako was having an affair with a younger man. After finishing his rounds of sales calls by car, Kenji drove to the suburbs and picked up a girl hitchhiking along the way. It was the same girl from the other day. She introduced herself as Mako and said she was Kenji's wife, Mako. She was indeed Mako in her younger days. Surprised, Kenji went on a date with her...

“Hana-Dama”—a flower in the wasteland. This flower is a symbol of earthly desires and every human is overwhelmed by desire and their rationality collapses wherever the flower is in bloom. And even today, the “Hana-Dama” continues to blossom profusely somewhere in the world. The story is set in a film theater, the facility keeps on closing one after another during recent years. The last day has come to a film theater which has been maintained by a film-loving owner, the staff, and their unique audiences. The symbol of human desire, “Hana-Dama,” blossoms at the theater and instigates people’s erratic behavior. Upon facing its closure, tremendous chaos that will be noted in the history of Japanese film takes place within this film theater.

Iwata, cheerleader of a university, Odagiri, a free lance cameraman, and Sekiguchi, a day laborer working on a subway project. As they pass an area dotted with the villas of affluent people, they decide to stop at one to ask the owner to let them put through a phone call. What they seen when they enter the gate makes them draw in their breaths quickly and causes their pulses to begin to race madly – Miki, a lass whose only claim to fortune are marvelous breasts, cute nipples and a figure even every top model dreams of having...

Pink film distributed by Xces / Nikkatsu.

Pink film directed by Kazuyuki Izutsu.

Fuji and Chiaki reunite in Yokohama after a long time and explore the city’s famous modernist architecture. When Fuji discovers the real reason for Chiaki’s visit, she takes him to Hotel New Grand, where an elegant elderly woman gives him a handwritten blueprint connected to his late father’s final project, prompting Chiaki to take action.

　Tadokoro Kyoji, a modified human who transforms into the Great Sentimental Mask by crying, is commissioned by the chairman of the yakuza group he formerly belonged to to seize a bioweapon developed by a rival organisation...

A former professor of German philosophy has lost his family due to a tragic accident and has since renounced the world. As a homeless man, he has been living in Osaka's notorious "Kamagasaki" district for four years and only speaks in quotes from famous German philosophers, which earned him the nickname "The German." One day he witnesses a blindfolded and bound young woman being pushed out of the car of a Yakuza boss in the middle of the homeless neighborhood. He saves her from imminent rape and takes her under his wing.