Giovanna Giuliani

A couple of bourgeois intellectuals, Carlo and Silvia, have been married for twenty years. While she lives in their flat in Rome, he spends most of his time in the country house where he writes his books, openly living with his younger lover, Lù. In return, Carlo has long accepted that her wife may have lovers, but her volatile relationship with a young neo-fascist suddenly rekindles his jealousy.

On the small island where she lives and works, Arianna is preparing to ring in the new year and ring out the old. But that night might not only be the end of the year, it might also be the end of her relationship with Nanni, a beekeeper from the city. The looming separation remains a mystery for the woman: she doesn’t understand the reasons for it and fruitless hours have been spent talking it over with evasive Nanni, who seems to consider their relationship an obstacle to his freedom. But when faced with another woman’s pain, Arianna manages to find the strength within herself to carry on.

A group of actors meet with little money in a unofficial theatre in Naples' Spanish Boroughs. Director's plan is to travel to Sarajevo, still under siege, to stage a classic Eschilus' play about civil war in Tebe. While they rehearse in the theatre cast members come and go and another kind of war goes on every day in nearby streets of old Naples.

A woman suffering from compulsive-type psychological problems falls for an older divorced neighbour. Will her love be returned? A slow story of confusion and loneliness.

Cesare Settembre is a twenty-six year old studying law to follow in the footsteps of his lawyer father. On the eve of his last exam, Cesare falls ill with depression and begins to remain secluded at home, completely deprived of strength. The only person to try to help him is his friend Antonio, while his mother seems more concerned with taking care of the strange plant she keeps in her room, his father is only interested in his son's university career. To find a purpose in life, Cesare falls in love with Milena, Antonio's girlfriend, but in the meantime his family falls into chaos.

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One woman works at the municipal desk where Roman residents voice their grievances. The other at the speech therapy clinic in Naples. One listens; the other helps patients speak. Both work with the spoken word. Both are nearing retirement: the start of one long Sunday, instead of that weekday punching of the clock, inside offices, inside rooms. What was that weekly Sunday in their lives, if not an open space of truly creative activity, free from the office worker’s bane of unproductivity? If not a time for active listening, in the neighborhood, getting together at odd hours, an unplanned field of possibility? Away from that tame, sleep-walking environment of the pay check and the limits it places on one’s goals? By comparing the active, voluntary Sunday and the passive, enforced Sunday – and those who lived before the Sunday of Italian tradition and those after, this film attempts to speak all the languages of Sunday.