Carlota Joaquina

Dreams and reality get mixed up in this sci-fi plot, focused on a photographer. When he photographs a terrorist attack during a trip to Jerusalem, his personal and professional lives plunge into turmoil.

Tom has just become a father and, along with his wife Elisa, he will learn firsthand how to take care of his daughter. Amid fun and exciting everyday situations, Tom discovers the real meaning of fatherhood. Loosely inspired by the bestseller Dad is Cool, by Marcos Piangers.

João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.

In a rainy Brazilian city, an amnesic man is taken in by a lonely clickworker at a course for people with a strange neurological syndrome. After using an addictive AI device, he embarks on a tragic and absurd journey to find where he truly belongs.

When a child is forced to become the house's adult because her father is sick and her mother is dead, there's an inversion in the natural order of things. Childhood becomes a saga. And the frustrated parenthood turns into a conviction.

A film from the skater world of São Paulo, where it is women who call the shots. Bagdá is surrounded by self-confident role models in her family. However, outside on the streets, in the venues and clubs, the old machismo continues to dominate. Bagdá and her fellow comrades-in-arms confront it defiantly.

Four city workers in their daily important relationships. A worker in the field of the Landless Rural Workers Movement. Poetry plucked like weed from the soil of our time.

A tale about the apocalypse of the working class.

Dispossessed in an essay about the daily bread. In a country like Brasil, of such abyssal social inequality as there is here, it's urgent for me in cinema to talk about the class to which I belong, the class-who-lives-on-labor. And, alongside that, about the labor relations, the survival, the unemployment, the increasingly impoverished life, the small popular uprisings and the confrontations with the non natural order of things. In "Bread and People", we deal with ruins. And in the struggle of the old against the new, we face mainly the ruin of an idea of progress, and the debris of a critical anti capitalist art today. We've deepened our investigation of an epic, historical and dialectical cinema, using the materials of inspiration themselves.