Michel Field

On April 2, 1995, the television channel Canal+ censored the documentary "Pas vu à la télé" (Not Seen on TV), directed by Pierre Carles, which had been commissioned a few weeks earlier by the program director, Alain de Greef. "Pas vu à la télé" was slated to be featured in Canal+'s "TV Day" segment, under the heading "Television, Power, Morality." Carles recounted this censorship in the feature film "Pas vu pas pris" (Not Seen, Not Caught), released in theaters on November 18, 1998. It drew over 160,000 viewers. Eighteen years later, "Pas vu à la télé" remains unaired on French television. As for "Pas vu, pas pris," it has still not been broadcast on French television. However, it has been shown on television in Belgium, Quebec, and Switzerland. Since then, nine billionaires now control more than 80% of the media in France, while eleven of them account for 57% of the television audience.

In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.

Christophe Dechavanne recounts the provocative, scandalous, and irreverent television of the 1980s, 1990s, and 2000s, which he experienced from the inside. From political programs to talk shows, entertainment to news programs, no genre escaped its sometimes provoked, often unexpected missteps, which amused, shocked, and even upset the public. Thanks to the testimonies of Léa Salamé, Michèle Cotta, Marie-Laure Augry, Enora Malagré, Patrice Carmouze, Alain Bougrain-Dubourg, Michel Field, Benjamin Castaldi, Eric Naulleau, and Marc-Olivier Fogiel, this documentary takes us behind the scenes of these cult sequences of French television.

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My various experiences in the field of failure have allowed me to highlight specific areas in which it is crucial to get disorganized and to recognize the steps to be taken to end in ineffective management. This sentence is totally incomprehensible. It's normal. The longer the sentences, the less we understand them. It is the strategy of failure. To help us understand the failure and illustrate this video, we will need two men who we will call Luc for further misunderstanding. We will also need a woman whom we will call Sylvie for hygiene reasons.

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A famous couple is going on stage after ten years of separation and hate.

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A four-hour journey through the first ten years of Les Guignols. Cult sequences, historic sketches, reference expressions... offer sixty or so “Guignolized” personalities the opportunity to analyze the phenomenon or react to their puppets. Their impressions, shared with Gilles Verlant, punctuate the Night. All those who have made Les Guignols what they are today - Alain De Greef, the historical authors, puppet creator Alain Duverne, etc. - take the opportunity to reveal a few of their secrets.