Alain Duhamel

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On April 2, 1995, the television channel Canal+ censored the documentary "Pas vu à la télé" (Not Seen on TV), directed by Pierre Carles, which had been commissioned a few weeks earlier by the program director, Alain de Greef. "Pas vu à la télé" was slated to be featured in Canal+'s "TV Day" segment, under the heading "Television, Power, Morality." Carles recounted this censorship in the feature film "Pas vu pas pris" (Not Seen, Not Caught), released in theaters on November 18, 1998. It drew over 160,000 viewers. Eighteen years later, "Pas vu à la télé" remains unaired on French television. As for "Pas vu, pas pris," it has still not been broadcast on French television. However, it has been shown on television in Belgium, Quebec, and Switzerland. Since then, nine billionaires now control more than 80% of the media in France, while eleven of them account for 57% of the television audience.

In May 1974, Valéry Giscard d'Estaing became the third President of the Fifth Republic. An alternation of power that did not speak its name opened the doors of power to a reforming president. Abortion, divorce by mutual consent, lowering the age of majority to 18 - in less than two years, the youngest President of the Republic - at the time - carried out reforms with a vengeance, without a united majority in Parliament, before failing in the economic sphere and losing the battle against unemployment. At the age of 90, the former President of the Republic has agreed to look back on these years and gives us a valuable account of his time in power.

“I am the last of the great Presidents. After me, there will be no more ..." said François Mitterrand at the end of his life. What legacy left the first socialist president of the Fifth Republic? Documentary filmmaker Bertrand Delais and a host of French intellectuals such as Laurent Fabius, Hubert Védrine, Julien Dray, Dominique Bertinotti, Jean-Pierre Chevènement and Bruno Roger-Petit take a look into what that means.

In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.

Lieutenant Gilles Castelet would have liked to marry like anybody else. But he has always been under the sexual spell of Colonel Popoti's wife. Once returned to civilian life he tries desperately to escape her, all the more as she is now widowed and she shamelessly chases him away. One day, Gilles meets Charlie, a former army buddy. His friend, sorry about what happens to him, undertakes to rid him of the possession he is under.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

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Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.

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May 10th, 1981. François Mitterrand is elected President of the Republic. The “soviet tanks” supposedly coming upon the Champs-Élysées dressed in red, feared by some, did not march. Serge Moati takes a personal look at this episode, focusing on the relationship the president had with television, that he witnessed and played a role in.