Harold Torres

Harold Torres

Acting

March 15, 1991
Mexico City, Distrito Federal, Mexico
60 movies

Biography

Harold Torres (Born March 15, 1991 at Mexico City,) is a Mexican actor, known for his performances in the leading roles in the television series Run Coyote Run broadcast on the FX channel and ZeroZeroZero. Harold Torres graduated from a BFA in acting at the Centro Universitario de Teatro (CUT or University Theater Center) at the UNAM (Mexico's National Autonomous University). He has participated in more than 30 feature films amongst them are Norteado, La Cebra, González falsos profetas, Espiral,...

🎬 Harold Torres's Filmography

60 movies sorted by popularity

Colosio
7.0

It's 1994 in Mexico, the nation was witnessing a turbulent year since its beginnings. An indigenous rebellion shakes the country. Three months later, the ruling party's presidential candidate is brutally murdered during a rally in Tijuana. The country is concerned. Nobody knows who's behind this event, it all points to a conspiracy. Andrés Vázquez, an intelligence expert, is commissioned to lead a secret investigation parallel to the official government issued one. But another expert agent, el Seco, has received orders to wipe out all witnesses and get rid of the evidence surrounding the candidate's murder. As Andrés begins putting the pieces of this intricate puzzle together and comes closer to the truth, he realizes he's also putting his life and that of his loved ones in peril.

Colosio

2012
Killing Strangers
5.2

A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.

Killing Strangers

2013
Harold Torres | MovieMind AI