Matthias Fuchs

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.

A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.

Prüfstand VII is a 2002 German docudrama film directed by Robert Bramkamp, about the V2 rocket and the rocket research in the Peenemünde Army Research Center. The film deals with the history of ideas surrounding the rocket research and the conquest of space, with Bianca as the spirit of the rocket guiding the viewer around different aspects of rocket research. It is partly inspired by Thomas Pynchon's novel Gravity's Rainbow and features dramatization of some selected scenes from the novel.

In 1939 German U-boat captain Günther Prien receives orders to infiltrate the British Royal Navy base at Scapa Flow and sink British warships.

A mother is sentenced to one year in prison for matchmaking her underage daughter with her adult boyfriend.

Frau Emma Küsters prepares dinner late one seemingly-ordinary afternoon in her seemingly-ordinary Frankfurt kitchen. She wants to add canned sausages to the stew; her irritating daughter-in-law thinks otherwise. But the point is moot: Ernst Küsters has not only murdered the personnel director at the soap factory where he's employed but succeeded that by committing suicide.

The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.

Fritz Haarmann, who has killed at least 27 boys, is questioned by a psychology professor in order to find out whether he is sane and can be held responsible for his crimes. During this interrogation Haarmann reveals his motives and his killing methods.

A couple of stories revolve around the last days of a stripclub called 'Mau Mau'.

In Hamburg, a suspicious crash and mafia-style killings hinge on witness Maja Stein, who demands protection. Detectives Lanart and Marquardt hide her in a safehouse, but corrupt cops ambush them. Lanart saves Maja as Marquardt is killed. Discovering Maja is a decoy, Lanart becomes a lone target.

This mock documentary uses archival footage, interviews and reports taken out of context and staged interviews to highlight a possible escalation into a nuclear war. In this feature, tension in East Germany, and an uprising triggered by a visit by Gorbachev sees a successful military coup taking place in the USSR. Western actions against brutal crack-downs on civilians involved increases tension between the sides, finally resulting in nuclear war.

Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.

The Immenhof has been closed by officials, awaiting auction. In the meantime, Angela has died, so Jochen is now a widower. Oma Jantzen and Angela's younger sisters Dick and Dalli live with him in the forester's house. In order to save the manor house, Dalli has started a "pony circus" with the village children in the barn, while Dick has given up hope of Ethelbert ever returning.

The story follows Philip Boran, an ex-convict who has managed to turn his life around and become a movie star. However, his new life is disrupted when his brother is murdered following a bank robbery. Driven by grief and a desire for justice, Boran sets out on a relentless mission to avenge his brother's death His quest targets a corrupt police officer. As Boran takes matters into his own hands, the investigation twists against him, and he soon finds himself suspected of being a criminal

Granny Jantzen lives with her three granddaughters Dick, Dalli and Angela on the small pony farm Immenhof in Northern Germany. Since the breeding of ponies isn′t profitable anymore, Granny Jantzen is struggling to keep the family property. During the summer break , young Ethelbert is spending his holiday with his cousins at Immenhof. While Angela has fallen in love with the wealthy land owner Jochen von Roth, Dick and Dalli have to put up with bigheaded urbanite Ethelbert.

Australian geologist Graves meets Juliane in a Hamburg variety show. She mistakes Graves for a killer and lures him to gangster Tanzmann. When the mistake is discovered, they only have ten hours to find the real killer...

F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.

Reinhold Schünzel is one of the most sought-after actors and directors of cinema of the Weimar Republic. When the National Socialists come to power in 1933, he just releases his legendary gender comedy “Viktor and Victoria“. Despite his Jewish faith, Schünzel is under the special protection of Hitler and can work unhindered due to a special permit. But Schünzel's days in Germany are also numbered. In his sparkling and pointed artist portrait, director Hans-Christoph Blumenberg tells about the rise and fall of Reinhold Schünzel. The grandiose Peter Fitz mimes a charming, witty and ambitious director. By letting some performers play several roles, Blumenberg cleverly illustrates the recurring conditions with which Reinhold Schünzel faces everywhere. Schünzel's irony, language joke and sophistication in particular congenially transfers Blumenberg to his film.

The pony hotel has just been opened, but so far no guests have arrived. Dick gets Ralf to design a brochure about the hotel. The girls and Ethelbert then lead the village children on horseback to Lübeck, where they all distribute the brochure - not knowing that Dalli has added some embellishments to the text.

In Hamburg, the police are faced with a mystery after a series of burglaries: there are no clues at the crime scene except for a Japanese character. The characters are soon found all over the city. A retired detective and a journalist finally uncover a huge conspiracy that goes back to the Japanese Middle Ages.

Horst, the 18-year-old son of a factory owner, and 17-year-old Karin dream up their future together in the most beautiful colors. Newly married, however, they don't float on cloud nine as they had hoped, but sink into the dreary everyday life of marriage. While Horst ends his school career prematurely, Karin seeks help from her father-in-law.

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Mathias Ferner commits perjury and is thus able to secure the farm of his stepbrother Jakob as soon as he dies. In doing so, he deprives Paula Roth and the children of their inheritance. However, there is a letter incriminating Mathias Ferner. Years later, Paula Roth gets her hands on this letter.

A biography of Auschwitz commander Rudolf Höss.

One day, an exceptionally beautiful girl shows up at Josua Webmann's pawnshop to pawn a golden harp. Josua's apprentice, Klaas, immediately sees her as an angel. That evening, she meets him again and dances with him, causing even the previously indifferent Lissy to take notice of Klaas. Meanwhile, Josua worries about his money and negotiates with an instrument dealer who makes him a generous offer for the harp. The next day, the girl and the harp have disappeared again—but she has left behind unexpected wealth.

A group of people meet on board an ambulance aircraft. They are all looking for a mysterious young man for different reasons. A "psychological-poetic" film that explores why people are puzzles to one another in the form of a game.

The ambitious young Ina Littmann is an investigative journalist for the TV talk show "Eye in Eye". Her current subject is Henry Kupfer, who wrote a bestseller about a psychopathic killer after he was himself in prison for 8 years for manslaughter. As an entry for the show Ina plans to use a current series of brutal murders among prostitutes. When Ina meets Kupfer, she is despised and fascinated at the same time. Soon she's convinced that Kupfer not only writes about murders, but commits them himself. She smells a smash hit and prepares to prove him guilty on the show.

The adventures of the unscrupulous successful therapist Mark Stroemer and his adversary Wolke Donner, who gains his trust under a false name in order to put a stop to his activities.

Second part of two of the saga of the troubled Buddenbrook family and their business in 19th century Germany.

While the masses enthusiastically meet to celebrate the new Millennium, one does not sense much commotion at the kiosk and corner bar "Das Frankfurter Kreuz ". Strangers as well as regulars come to the Kiosk owned by Walter.

"The Publisher" is about the success story of a visionary man who begins after 1945 with a rickety car and a stack of novels. With his charismatic personality, he convinced the Allies to give him a newspaper license. A radio magazine soon follows, which quickly reaches millions of copies. His greatest publishing invention is a daily newspaper with which he wants to give the common man on the street a voice. But the publisher is not only successful in business, he also knows how to please women.

Jealous conspirators convince Caesar's friend Brutus to join their assassination plot against Caesar. To stop Caesar from gaining too much power, Brutus and the conspirators kill him on the Ides of March.

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