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Michal and Juraj, two students of a theological seminary in totalitarian Czechoslovakia, must decide if they'll choose the easier way of collaboration, or if they'll subject themselves to the surveillance of the secret police.
Miroslav Válek was a Slovak poet whose sensitive and intimate work clashed with his political engagement in the communist party. How to approach this discrepancy, how to cope with it? Can one read poems while disregarding their author?
