Fernando Arrabal

The kidnapping of a plump billionaire's dog by a deaf-mute and 2 ketamine addicts goes wrong. The wealthy woman takes advantage of the situation to make them fullfil her last wishes.

Couple is a cinematic series of portrait films, which show two persons, who free to do what they wish, in a fixed camera shot of 3:20 minutes.

A genuine performance film as Bernadette Laffont and Bulle Ogier engage, with reckless abandon, in a flurry of senseless destruction in a house at night. Somewhere between a hallucination and a nightmare. Both the explosive soundtrack and narration that accompanies the mayhem was provided by François Tusques.

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Lire is a cinematographic series of filmed portraits that shows, in a single large fixed and sound sequence shot of 3 minutes 20 seconds, a writer reading the beginning of his last published book.

Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.

The cinema of Benoît Delépine and Gustave Kervern is reminiscent of the one of Fernando Arrabal. This is why the two troublemakers of "Groland" invited the septuagenarian filmmaker to make an appearance in their film "Avida". This documentary, peppered with film excerpts, follows the Groland festival's progress with Arrabal as president.

A model tells a television crew about her dreams of a life with prince charming all while fending off the lecherous advances of a horde of men.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

What was your first desire? What did you long for most? Arielle Dombasle put these questions to a wide circle of famous people.

Fantasy is a favourite theme for directors, since it enables them to give vent to diabolical situations with unlimited licence. This film is of this category. It is the story of a jealous and protective mother who allows her son only home-made dolls to satisfy his sick fantasy. But as in all fairy stories, there comes a day when a real, warm girl enters the sheltered life of the son. His natural and innate thirsts for oddities soon make him repeat on the girl what, until then, he has been doing with the dolls. The story then evolves into a fight of wills between the mother and the girl.

In this Gilles Carle feature documentary on the game of chess, the international chess match is cast as a classic Western shoot-out. Three chess greats dominate the film: Russia's Anatoly Karpov; Viktor Korchnoi, a Russian defector; and American Bobby Fischer. Chess aficionados Camille Coudari and Fernando Arrabal analyze the personalities and strategies of the players and comment on the interplay of politics and chess.

Report from the second free expression festival organized at the American Cultural Center, Boulevard Raspail, in May 1965. The shows, all happenings inspired by ""théâtre panique/ the panic theater", includes Fernando Arrabal, Roland Topor and Alejandro Jodorowsky.

When a plague breaks out in Hamburg, several people break out of quarantine and make their way out of the city... only to find that the plague is more widespread.

Celebration of Fernando Arrabal, 90 years old, poet, playwright, member of the transcendent body of satraps of the college of pataphysics and founder of the panic movement with Alejandro Jodorowsky and Roland Topor. With Alejandra Chulia Jordan, Arrabal specialist. With the contribution of François Naudin. Moderation Wanda Mihuléac. Caroline Corre for bibliophile books.

In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. (Clarke Fountain, Rovi)

This documentary depicts the filmmaker Alejandro Jodorowsky talking about his life, his loves, his career as a filmmaker, graphic novelist, and workshop leader, and his eccentricities including tarot reader and theatrical director during The Panic Movement. Directed by Louis Mouchet, La Constellation Jodorowsky includes a lengthy on-camera interview with Jodorowsky in Spanish with subtitles. Marcel Marceau, Fernando Arrabal, Peter Gabriel, Jean "Moebius" Giraud, and Jean Pierre Vignau make appearances discussing their various projects with the director. In addition to the interview and film clips, Mouchet features some bizarre footage from Jodorowsky’s absurdist plays in which topless women splattered with paint writhe around the stage in a theatrical production meant to represent The Panic Movement, i.e., an artistic expression in which reason cannot fully express the human experience.

"L'Artifice et le factice" is the episode that covers the period from January 1, 1988 to December 31, 1988 of my filmed Notebooks.

Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.