Daniel Bergman

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 theatrical feature film (approximately 135 minutes), created by condensing and re-editing the four-part Swedish television miniseries originally produced the same year.)

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

Shot during the making of Fanny and Alexander, this feature-length documentary presents extended behind-the-scenes material from rehearsals and filming sessions, with Bergman at work staging scenes and directing performances. The film focuses on the practical process of production, including collaboration with the principal cast and key crew members such as cinematographer Sven Nykvist and on-set documentarian Arne Carlsson.

Harry Schein was an anomaly in Swedish cultural society. Equal parts playboy, intellectual, and political visionary, his life story could very well be the foundation of a Hollywood film. Citizen Schein is a film about a refugee who refused to look back, a film about powerful men, and the myths that fuel them.

Eight vignettes on a variety of topics, including a baby growing up, Charlie Chaplin, Birgit Nilsson, the racing track at Le Mans, erotic cleanliness, French literature, and a black woman in a cupboard in the neighborhood of Farsta near Stockholm.

This short film consists of 16mm home-movie footage recorded by Ingmar Bergman during the first two years of his son Daniel’s life, beginning shortly before his birth and continuing through early childhood. The material was edited by Bergman as an independent segment for inclusion in the 1967 Swedish anthology film Stimulantia.