Maya Plisetskaya

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

The telefilm is dedicated to one of the greatest conductors of the 20th century, Yevgeny Fyodorovich Svetlanov.

The film is dedicated to the great Russian composer Pyotr Tchaikovsky (1840-1893). It tells of the last twenty years of the great master’s life, of his friendship with Baroness von Meck, an outstanding woman of her time, who for many years was Tchaikovsky’s guardian angel. The film also includes retrospections of the composer’s childhood and adolescent years, with Tchaikovsky’s life poetically recounted against the background of fragments from his operas and ballets performed by the best Russian musicians.

The fire department is preparing for the New Year. Three activists of amateur performances decide to kidnap professional artists for a New Year's concert. A police captain investigates the kidnapping and listens to complaints from the “unkidnapped” artists.

The plot centres on the tragic fate of Carmen, a gypsy girl, and Jose, a soldier who has fallen in love with her and whom Carmen leaves for the young Torero.

An anthology of three filmed ballets, two written for the film and the third an abridgment of Tchaikovsky's "Swan Lake". It was entered into the 1954 Cannes Film Festival. Filmed in color.

The plot is based on the fate of the artist, reflected in art, which always accompanies people's lives, as well as dreams, pain or joy...

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation. A Bolshoi Ballet adaptation of Leo Tolstoy’s novel with choreography by Maya Plisetskaya, who also took on the titular role.

The Bolshoi Ballet performs the Russian fairy tale of a Queen Maiden (Maya Plisetskaya), a stableboy (Vladimir Vasiliev) and a lucky horse (Alla Shcherbinina).

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Rodion Shchedrin's ballet based on the short story of the same name by Anton Chekhov, staged by the State Academic Bolshoi Theater of the USSR. The inimitable Maya Plisetskaya in the on-screen version of the theatrical ballet, which is an original production, solved by means of a television movie.

No description available.

In 1969, the Moscow International Competition of Ballet Artists played host to some of the dance world's most legendary names. Twenty-one-year-old Mikhail Baryshnikov performs "La Bayadere" and a solo from Leonid Jakobson's "Vestris," while Ludmila Semenyaka dances a scene from "Giselle" and a modern jazz piece. Judging the competition are dance notables Agnes DeMille and Alicia Alonso and composer Aram Khachaturian.

A look at the rich history of the Mariinsky Theatre in the birth and growth of the Russian tradition in opera, music and ballet.

A TV movie inspired by Ivan Turgenev's Torrents of Spring.

Modest Mussorgsky's final opera, left unfinished at the time of this death in March of 1881.

New Year's TV show with the participation of popular Soviet entertainers.

Film-ballet written by composer Pyotr Ilyich Tchaikovsky. The authors of the movie tell the story of the ballet's creation, as well as about various stage productions with the participation of outstanding performers of the role of Odette-Odile. The movie includes fragments of the ballet staged by choreographers Marius Petipa and Lev Ivanov.

No description available.

Maya Plisetskaya was born in Moscow in 1925 and studied at the Bolshoi Theatre Ballet School, becoming a principal dancer with the Bolshoi on graduating in 1943. She became prima ballerina in 1962, and after being excluded for political reasons many years from tours to the West, she was finally in 1959 allowed to join the American tour with the Bolshoi. She soon gained recognition as one of the world's foremost ballerinas, combining flawless technique with a sensitivity to emotional nuance and becoming the first to truly understand how to combine outstanding dance skills with dramatic expression. This documentary features footage of her greatest successes as a ballerina together with an interview in which Plisetskaya describes her life as a dancer, from Stalin to perestroika, giving an insight into the life of an artist in this extraordinary chapter of Russian history.