Elsa Albani

Paola, wife of a wealthy Turinese industrialist, meets Alberto, a friend of her husband, who emigrated to Argentina and has returned for business reasons. After a few days, Alberto confesses his love to Paola, but she resists. However, during a vacation in Sardinia, having waited in vain for the arrival of her husband, she gives in to Alberto's wishes.

After leaving a wealthy Belgian family to become a nun, Sister Luke struggles with her devotion to her vows during crisis, disappointment, and World War II.

Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for her, he comes of age. But, is there anything he can do that will alter Aida's situation or her prospects?

American troops land unopposed on Italian beaches during World War II, but instead of pushing on to Rome, they dig in and the Germans fight back ferociously.

Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman's honor. A bored housewife tries to explain to her husband that he's not as romantic as he used to be.

A classical pianist falls in love with a friend's young daughter.

The story of the Cervi family. Rural farmers brought up to be idealogically opposed to fascism during the era of Mussolini's rule of Italy and World War 2.

Sei personaggi in cerca d'autore is an Italian staged filmmaking of the play of the same name, written by Luigi Pirandello about the relationship between authors, their characters and theater practitioners. The story follows six characters: Il Padre (Romolo Valli), la Figliastra (Rossella Falk), la Madre (Elsa Albani), Il Figlio (Piero Sammataro), la bambina (Patrizia Ponzelli) and Il giovinello(Paolo Figna) that invading a essay by a theater company looking for an author.

Absurdism’s king of comedy, Luigi Pirandello, adapted a 1915 short story he wrote titled “Signora Frola and Signor Ponza, Her Son-in-Law” into a play two years later. Right You Are (If You Think Are) was presented in dramatic form as a “A Parable in Three Acts.” As in any instructive parable, the characterization is put fully into the service of delivering the lesson and thus creates mysteries about motivation that remain unresolved by the conclusion.

When he is granted a day off to celebrate his daughter's wedding, office worker Krehler begins to realize how alienated he is.