Solveig Dommartin

Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds — with some words of wisdom from actor Peter Falk — that it might be possible for him to take human form.

In 1999, a woman's life is forever changed after she survives a car crash with two bank robbers, who enlist her help to take the money to a drop in Paris. On the way, she runs into another fugitive from the law — an American doctor on the run from the CIA. They want to confiscate his father's invention – a device which allows anyone to record their dreams and visions.

A group of angels look longingly upon the life of humans. Berlin now is a very different place: unified in name but overrun with crime, corruption, and—in what turns out to be a key theme here—Americans.

Ninon is a spirited hotel-manager who teaches self-defense classes to her terrified eldery neighbors. Daiga, an aspiring Lithuanian actress newly arrived to Paris, becomes fascinated with the life of a mysteriously beautiful drag performer.

A young Russian man arrives in Berlin in search of a woman, but becomes entangled with two others one of whom falls in love with him and another who represents a classic Russian heroine like out of a novel from one of his countrymen idols.

Dah and Jocelyn come from former French colonies to coach their rooster, "S'en fout la mort", for an illicit cock-fight in the basement of a restaurant.

A documentary which follows director Wim Wenders and Sean Naughton, the high-definition-video designer on UNTIL THE END OF THE WORLD, in Tokyo, and details the creation of the film’s groundbreaking high-definition sequences.

Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.

Don Quichotte (Luchini) is a modern filmmaker with views on the perfect film. Sancho Pança (Risch) is systematically condradicting Quichotte, whose film materializes in front of them as he lists his ideas