Juraj Nvota

The film Mečiar is the confession of the young director Tereza Nvotová about Vladimír Mečiar and the influence that this politician had on Slovak society, but also on the life of Tereza herself. When the totalitarian communist regime fell in Czechoslovakia in 1989, Tereza was one year old. The leaders of the Gentle Revolution then decided to hold an audition for the Minister of the Interior, to which Vladimír Mečiar, an unknown business lawyer from the Slovak countryside at the time, applied. After success in bankruptcy, Vladimír Mečiar reaches the political top, from where he rules the country with a series of questionable practices. Against the background of events such as the division of Czechoslovakia or the kidnapping of the son of the president of the Slovak Republic, Tereza and her peers relive their childhood.

Jakub, a dreamer and budding magician, juggles between parcels and services rendered to the villagers. His eyes cross that of the beautiful gypsy Jolanka. Together, they will try to live a first and big love, despite the pressure of their respective communities.

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

The drama called I Love, You Love was made in 1980 but because of the absurd ideological ban, the film entered cinemas nine years later. Pišta is an unmarried man who works at a freight wagon which carries letters and parcels. Alcohol helps him to overcome his handicap of being short and not good-looking. He wishes he had a woman, but the woman he really wants, ageing Viera who reloads the cargoes, has a soft spot for another man. So, Pišta has nobody and nothing, except for senile mother who sometimes fails to recognize him. The film received Silver Bear for Best Director at the International Film Festival in Berlin.

A film about the uncertainties faced by a man in post-Communist Slovakia, his relationship with a teenage son and English teacher girlfriend who's soon to return home to England.

No description available.

A dramaturg is present during the writing of the screenplay, but does not write the film. A dramaturg is present on set, but does not direct the film. A dramaturg sits in on the editing process, but does not edit the film. A dramaturg is also involved in many other activities throughout a film’s production, yet performs none of them directly. In this sense, the dramaturg is invisible. The same could be said of the life of the distinguished Czechoslovak dramaturg Jan Gogola, who influenced countless stories throughout his career—including this documentary itself. His portrait is, in fact, being dramaturgically shaped in real time as the film unfolds.

A wedding is supposed to be a joyous occasion, but things can go awry. When an uninvited guest turns up at the church and later at the reception as well, the newly-weds’ day turns sour. Shadows of the past can blight the most sumptuous of banquets and rend the most affectionate of embraces.

Once a hugely popular clown trio, Oskar, Max, and Viktor are now living very different lives. The intense fight that ended their friendship has left them on bad terms for over 40 years. Max is battling colon cancer, Viktor's wife is losing a battle to Alzheimer's, and Oskar, who's never been the best dad, is trying to rescue his daughter from an abusive relationship. The good old days are gone indeed. Despite their situations, each one still tries to maintain a sense of humor. They look fondly on the days when they were slapstick superstars. However, when it comes to the issues that led to their career demise, they just can't seem to let their anger go. As they hesitantly agree to a reunion, they begin to find that the only way back to the top is through forgiveness.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

Soňa, an emotionally unfulfilled nurse trapped in a monotonous marriage, decides to break away from her routine to escape her surroundings. Despite facing personal failures and ideological conflicts with her husband, she undergoes a process of self-discovery.

Bittersweet comedy about four teenage boys, their friends, parents, lovers - from the moment when they are 15 to moment when they are 18. Story is set in 1970s, when is Czechoslovakia occupied by Russians.

Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.

An image and music collage - a cinema concert - guided by a young sound engineer David, for whom the exhibition on E. F. Burian is an incentive to take more interest in this avant-garde artist. The film interweaves two strands - documentary and factual, drawing on contemporary material and archival images - and fictional with the story of David the sound engineer.