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1779. Eight-year-old Ludwig van Beethoven, called "Louis", is already known as a musical prodigy. He learns to go his own way - much to the dismay of the people around him. Some years later, he meets Mozart during times of political upheaval. The unconventional genius and French Revolution are sparking a fire in Louis' heart; he doesn't want to serve a master - only the arts. Facing times of family tragedies and unrequited love, he almost gives up. However, Louis makes it to Vienna to study under Haydn in 1792, and the rest is history. Who was this man, whose music has since touched countless hearts and minds? At the end of his life, the master is isolated by loss of loved ones and hearing. Surely though, he was way ahead of his times.
Marie is driving on the highway and needs to pee urgently. But the toilet at the rest stop is broken. And an increasingly absurd odyssey through this toxic male biotope begins for Marie - and ends in blood.
"As for the look, I was inspired by certain European b-movies from the 1970s and their soft and hazy yet at the same time creepy (and oftentimes deadly) sensuality, such as the Czech New Wave film VALERIE AND HER WEEK OF WONDERS, the German arthouse vampire film JONATHAN and of course Jean Rollin’s many tales of vampire girls!" - Gloria de Oliveira.
Helene is forced by her wicked stepmother Gertrud to do works impossible to done. When she builds a castle for her with the help of the fairy Cleo, there is only room for Helene, in the cellar. One day, Prince Lassmann ride near the castle.
The missing person case of a young woman leads Seeler to a Croatian island to a mysterious connection that uses hypnosis to treat people with mental trauma. The investigator experiences for himself how dangerous "false" memories that feel "real" can be when he dives into his subconscious.
Flora leaves. Antonis gets left behind. Elit moves in. Benni and Caro can’t seem to move on. In the classrooms, cafes, bars and train stations of an unnamed German city, the lives of several young people intersect.
