Antoine de Prekel

Maria is a cleaning lady, who is reserved, shy and clumsy. When she is assigned to the School of Fine Arts, she meets Hubert, the school's whimsical guardian. There she discovers a fascinating place where freedom, creativity and daring reign.

Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow disappearance of that audience and of his advancing years. He is completely knocked off balance when he meets strikingly attractive and much younger businesswoman Marion. She seems distant and apparently otherwise involved but soon shows quiet signs of reciprocating his interest.

Sadoun is France’s best soccer player whose extra-curriculum pleasures are damaging his play and new contract negotiations. Dispatched by his scheming agent to his home village, he ends up reconciling with his father, relating to his fatherless niece, who dotes on him, and training his local children’s team, whom he takes to championship glory.

Charlotte, an alienated sound engineer, travels to the country home where her mother was just murdered. She is quickly frustrated by the lack of progress in the police investigation and so begins her own. While listening to a fresh sound recording she made in her mother's house, Charlotte discovers a strange phenomenon, she can hear sounds from the past in her headphones. Soon she is using this ability to hear the past to piece together the last few days of her mother's life, drawing ever closer to discovering who killed her, even as the murderer returns to try and eliminate Charlotte before they are discovered.

In 1835, in order to cope with an ever increasing number of infants left alone during the day while their impoverished mothers had to go to work in factories, refuge rooms were put in place in some towns.

No description available.

A video library clerk becomes obsessed with a sleepwalking woman and takes it upon himself to save her from catastrophe.