Evgeny Pisarev

Overcoming the midlife crisis and experiencing an internal shock, sports news anchor Egor Tikhonov becomes a volunteer, he helps mothers of sick children in the cancer ward, searches for lost people together with "Lisa alert". gradually finding a new life, Egor begins to lose the old one: he loses his job, almost divorces his wife. and more and more often he asks himself if he is a strong enough person to go his way to the end.

Antonina Milyukova is a beautiful and bright young woman, born in the aristocracy of 19th century Russia. She could have anything she'd want, and yet her only obsession is to marry Pyotr Tchaikovsky, with whom she falls in love from the very moment she hears his music. The composer finally accepts this union, but after blaming her for his misfortunes and breakdowns, his attempts to get rid of his wife are brutal. Consumed by her feelings for him, Antonina decides to endure and do whatever it takes to stay with him. Humiliated, disgraced and discarded, she is slowly driven to madness.

For its creators, this film became, in a sense, a labor of love and duty. *Yuri Butusov: Drums Within* is a film about the director’s talent, his confrontation with reality, his mission, and love. Those featured in the film—Butusov’s students, actors who worked with him, his former classmates, close associates, and his "gang"—were unanimous: knowing and working with him was never, and could never have been, just another project. He changed the people he met and transformed the space around him; he would stir things up and create a swell of energy—making the whole cauldron boil. Yet, often enough, he himself found himself powerless against that very tide. Making a film about such a man—avoiding the trap of turning him into a monument and ensuring the result was anything but banal—was a formidable challenge for the filmmakers. They worked on the project for over a year, gathering a wealth of rare archival material and interviewing dozens of people.

The film is about a day in the life of Elizaveta Petrovna Glinka, also known as Doctor Liza. Moscow, 2012. The Glinka family prepares for a celebration: thirty years together. The closest friends are invited for dinner, the sons have arrived. Of course, Liza has freed up this day for her family. There’s just a trifle: to stop by the Fund and see the weekly patients at the Paveletsky Station. But the days of Doctor Liza are always full of surprises… In a hospital in a Moscow suburb a five-year-old girl is dying. The duty doctor has to discharge Eva. Due to medical formalities the child, who suffers from cancer, is left without painkillers. In utter despair, the girl’s father turns to Liza for help. When Liza cannot find a way to help the child within the system, she decides on a desperate act…

Two orphans move from their native village to the house of their adoptive parents. But their hope for a happy life fades away, when they are challenged by an ancient otherworldly force.

Moscow, 2020. The media warn that a dangerous meteorite will soon sweep near the Earth at great speed. But the wealthy restaurateur Vadim does not care, so he does not change his plans and hurries to celebrate the purchase of a new establishment. On the way to the restaurant, Vadim calls his friend Nina to invite her to a banquet. But due to a time anomaly associated with a meteorite, another Nina, a thirteen-year-old girl who is dying of starvation in cold Moscow in 1942, picks up the phone on the other end.

Captured in "explicit polaroid pictures", the characters of Ravenhill's play are a former social rebel who served time for assassination, his ex–girlfriend who made it "from hippie to yuppie", a nightclub stripper abused by her boyfriend, a gay man dying of AIDS and a sex slave he bought. This is a play about the vicissitudes of love, which, "without knowing shame", can arise from any "bullshit".