Viktor Terelya

The film tells the story of the final years of the life of Nicholas II, the last emperor of Russia. It follows his devoted wife, Empress Alexandra; his son, Tsarevich Alexei; his daughters, Grand Duchesses Olga, Tatiana, Maria, and Anastasia; and his brother, Grand Duke Michael Alexandrovich. The love and loyalty of those closest to Nicholas accompanied him through the most difficult years of his life. But they could not protect him from betrayal. The treachery and cowardice of members of the Romanov dynasty, politicians of every kind, and generals who had sworn allegiance to the throne ultimately led to the collapse of the empire. The story of the imperial family unfolds against the backdrop of a tragic turning point in history.

A horrific car accident turns a married couple's lives upside down. Artist Maria's husband, businessman Kirill, becomes disturbingly perfect. Is he repenting his mistakes and trying to make up for what he almost lost forever, or is it all a figment of Maria's injured imagination? A series of increasingly strange coincidences and signs suggest that Maria can no longer trust herself.

Tashkent, 1942. At this time, the hospitable city became a refuge for tens of thousands of people tired of hunger and cold war years. In urban stores, warehouses and markets in abundance of food and other goods. All this attracts the attention of criminals of different stripes, who in search of easy money gathered in Tashkent from all over the vast country. There are several criminal groups here. At the beginning of summer in the city there is a new gang operating with special impudence and cruelty…

Five friends – a poet, an actor, a painter, an architect and a primitivist film director – are five red avant-garde artists who try to find the embodiment of their hopes and dreams in the young Soviet state. The Revolution is boiling up like a bottle with apple cider: winged service dogs and heart-shaped potatoes, dead Semashko, the People’s Commissar for Health, and cheerful angels, love for the Tsar and love for the young secretary Annushka, executions and pregnancies – everything is interlaced and inseparable!

An adaptation of the play by Ukrainian playwright Mykola Gogol, set in Tsarist Russia during the 19th century. A provincial town plagued by bribery, abuse of power, embezzlement, and other corrupt practices. One day, Mayor Skvoznik-Dmukhanovsky summons the town officials and announces that an inspector is on their way.

In order to justify himself to the bigwigs of the criminal world, a young "gentleman of street luck", a former orphanage April is forced to take from the "godfather" of the mafia order to eliminate the two individuals who allegedly framed him. At the same time, one of the "targets" of April — confused in his relationship with crime businessman Vova — and he must save his life by agreeing to a very dangerous and questionable case. Naturally at one point their way — the roads intersect, but at the wrong time and in the most unexpected place. In just one night, the film's characters are trying to solve their problems, find the truth and, perhaps, pay a high price for it…

The beginning musician Kostya Potekhin, in order to win the favor of a beautiful girl, agrees to participate in a musical television contest. But you only need to participate with your musical group, which he does not have. Within a few days, he will have to assemble his group, find reliable friends and meet real love.

Andrei's ex-girlfriend Tania (Anzhela Belyanskaya) has been constantly in danger of going to jail since he knew her. Their breakup was not his doing, and he is determined to keep her out of jail. Andrei (Oleg Menshikov) has a notion that, if he can raise enough money, he can smuggle her out of Russia into New York, where all will be well. While Andrei's grasp on reality may be tenuous, his ability to maneuver and scheme is unimpaired. He is a student filmmaker, and the kind of money he needs to save Tania with doesn't grow on trees. He begins raising funds by mugging men at public toilets, and graduates to stealing the drug money accumulated by more serious gangsters. After he has raised the money to accomplish his goal, his girl, the light of his life, confesses that she despises him, and then goes out and gets arrested.

Alexandra, a young girl of seventeen, goes to Moscow to study painting and to find love. After a while, however, she discovers that her dreams are not easily reached. She has to leave Moscow, unable to enrol in a college or to meet her beloved. Eventually, her real talent and love will find a way to shine.

Mischa, a mute boy, sets out on a surrealistic journey together with his father and two men. Their means of transportation is an old Soviet locomotive, loaded with stolen coal. The travellers intend to sell off the loot on their way through the borderless steppes of inner Russia. As a parallel to the main plot, sequences of a mysterious travelling circus keep reappearing in a very suggestive way. Many of the odd artists at the circus are people that the four protagonists encounter in the wilderness along the overgrown railway. All through the movie there is a sensation of magic crossed with pure realism, stressed by the crackling communistic infrastructure and a twisted sense of humor. The border between reality and fantasy is very subtle here. The Railway is a story about strong family ties, but also an ambitious interpretation of the clash between the Russia of old and new. One could call it the rebirth of a long forgotten genre: the Russian wonder story.