Paul Austin

Low budget softcore farce where two men cross-dress to go into a women's prison.

Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.

Skin flick about women in prison

While their husbands are at work, bored suburban housewives hang out at the Pink Swan bar, trolling for local studs, while their teen daughters smoke pot at pool parties.