Junko Miyashita

Junko Miyashita

Acting

January 29, 1949
Setagaya, Tokyo, Japan
153 movies

Biography

Junko Miyashita (宮下順子, Miyashita Junko, born 29 January 1949) is a Japanese actress who had a long and varied career working both in pink film and mainstream cinema.

🎬 Junko Miyashita's Filmography

153 movies sorted by popularity

Shinran: Path to Purity
5.8

In the 12th century, Buddhism was still a relatively new religion in Japan. At that time, one school (Shingon) offered extensive training in complex and very demanding practices which might eventually bring about spiritual purification and realization. Various Zen schools offered students a lengthy path, literally composed of a blank wall and unceasing meditation. Yet another school (Tendai) emphasized complex metaphysics and the study of philosophical systems. Basically, all of them were designed to cater to the few who were able to give up everything else in their lives and focus on liberation, such as scholars and noblemen. In this historical and biographical drama, this is the situation that the young Shinran (1173-1263) discovered when he began exploring Buddhism as an alternative to the violence and ceaseless civil wars that racked Japan at the time.

Shinran: Path to Purity

1987
Baian the Assassin
8.0

This is an ensemble period drama adapted from Shotaro Ikenami's popular novel, featuring the famous Kabuki actor brothers Kinnosuke Manya and Katsuo Nakamura, who made the transition from the Kabuki world to the film industry, and a cast of gorgeous and diverse faces. The Edo period. Nagato Abe, a Hatamoto (a feudal lord), is annoyed by his son's bad behavior, and when it becomes a hindrance to his own career, he asks Otowaya Hanemon, a black marketeer, to assassinate his son. The target is then taken care of by the assassin, Umeyasu. In order to keep his mouth shut, Nagatomon no Mamoru also attempts to take Otowaya's life. Nagato's brother-in-law, Omiya Sahei, a corrupt merchant from the Kamigata region, also plans to replace Otowaya as the head of Edo's black market business, so Umebayashi and his fellow trapper Hikojiro set out to eliminate them.

Baian the Assassin

1981
Magino Village: A Tale
6.8

The movie compiles footage taken by Ogawa Production for a period of more than ten years after the collective moved to Magino village. Unique to this film are fictional reenactments of the history of the village in the sections titled "The Tale of Horikiri Goddess" and "The Origins of Itsutsudomoe Shrine". Ogawa combines all the techniques that were developed in his previous films to simultaneously express multiple layers of time—the temporality of rice growing and of human life, personal life histories, the history of the village, the time of the Gods, and new time created through theatrical reenactment—bring them into a unified whole. The faces of the Magino villagers appear in numerous roles transcending time and space—sometimes as individuals, sometimes as people who carry the history of the village in their memories, sometimes as storytellers reciting myths, and even as members of the crowd in the fictional sequences.

Magino Village: A Tale

1987
Junko Miyashita | MovieMind AI