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The night of the 31st of December, in the middle of the fireworks, a group of international ecologists blows up the biggest steelworks of Europe.
Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end.
Julien, 28, returns to his home town after spending the past 13 years in prison. Out on probation, he's obsessed with a girl... Emilie. And one day, he reaches for her: "it's me". She turns around, looks at him and starts to scream.
