Giulio Brogi

Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.

An old communist returning to Greece after 32 years in the Soviet Union is disillusioned with the state of things.

Where I've never been to live, Francesca's emotional conflicts, 50, is the only daughter of a famous Turin architect, to whom she visits only on rare occasions. For many years, Francesca lives in Paris with her teenage daughter and her husband Benoît, a financier on her sixty, apparently reserved but paternal and protective about her. Due to a domestic accident that forces the elderly father to bed, the woman flees to Turin to take her parents in the design of a villa on a lake for a young couple. At work he meets architect Massimo, his peer-minded career and engaged in an open relationship with independent Sandra. After a tough first approach, Massimo and Francesca create a strong professional tune that leads to a deep and passionate feeling. For the first time in life, both will have to really confront themselves and their most authentic destinies ...

Turin, 1969. Nine-year-old Massimo’s idyllic childhood is shattered by the mysterious death of his mother. The young boy refuses to accept this brutal loss, even if the priest says she is now in Heaven. Years later in the 90s, adult Massimo has become an accomplished journalist. After reporting on the war in Sarajevo, he begins to suffer from panic attacks. As he prepares to sell his parents’ apartment, Massimo is forced to relive his traumatic past. Compassionate doctor Elisa could help tormented Massimo open up and confront his childhood wounds…

A young man returns to his countryside hometown to investigate the unclear circumstances behind the death of his father, ostensibly killed by Fascists in 1936, before his birth. As he unravels a web of lies that seems to encompass the whole town, he finds himself entangled in the same web.

A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.

At the start of the 20th century many left the Feudal and impoverished Southern Italy looking for a brighter future in the Americas. Carmela and Giacomo set off from their home land never to return. After many years, Carmela's son,now a middle aged man, visits his parents village only to find it derelict and abandoned

No description available.

Sarah is a black South African girl raised in a middle-class family that sent her to the best schools. She has a deformity in one leg, but her parents encouraged her to take swimming lessons anyway. Her coach (a half-crazy drunk) realizes Sarah has an iron will and, against the federation's wishes, enters her in the extremely tough Capri-Napoli race.

A castaway arrives on an island. He thinks it's uninhabited, but he sees a palace with also a hidden room. Soon he sees some people walking, dressed with old-fashioned clothes. He is afraid because people don't see him, like a ghost.

Two deadbeat friends see the opportunity of turning their fortune around after they come into possession of a precious stolen relic, the tongue of St. Anthony of Padua.

An island has been decimated by a volcanic eruption and the few survivors escape to a nearby island. Led by Rutolo, they know that their new home is equally susceptible to such a catastrophe via its own volcano, but they are unable to convince the current inhabitants of Island #2 to flee with them to a mainland.

No description available.

A young woman with cancer travels to a remote wilderness zone in Northern Italy in search of an alternative cure. What she and her friend, Martino, find is a secluded paradise, but their arrival threatens its fragile existence.

The story of a general who is about to cut down an old forest for the sake of financial gain, but discovers that the forest is inhabited by invisible spirits.

Sentenced to life imprisonment for illegal activities, Italian International member Giulio Manieri holds on to his political ideals while struggling against madness in the loneliness of his prison cell.

Cesare Botero, an ambitious and corrupt young minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli.

A humble scientist from Padua proves that the Earth revolves and that it is not the center of the universe.

An elderly gangster just released from prison plans one last job, and gathers a small crew to do the job, but the plan goes sour when one of the crew betrays the details of the operation to a rival gangster.

How Sweet it is to Die Murdered (Quanto è bello lu murire acciso) is an Italian historical film written and directed by Ennio Lorenzini and released in 1975. The original title of the film is that of a popular song reworked by Roberto De Simone, who is considered the precursor of the Neapolitan folk revival of the 1970s. The film depicts the failed expedition organized by Carlo Pisacane in 1857 to provoke an uprising in the Kingdom of the Two Sicilies.

Romantic entanglements develop between three young Italians frustrated by their current economic and social status.

Marat, Lika and Leonidik, survivors of the atrocities of World War II, meet up by chanche and start helping each other to continue their life.

1600, Southern Italy is under the Spanish Government. A few years before an attempt at rebellion, inspired by the preaching of the philosopher and monk Tommaso Campanella, is severely quelled by the Government. Campanella, under the charge of the plot, is put into a prison in Naples and waits for the conclusion of an endless process. Throughout the Calabrian countries his name is wrapped up in legend, he becomes almost a myth. Someone believes he has escaped from prison and wanders about under a false name.

A filmmaker of committed films, together with his lover, plans to commit suicide within a few days.

A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.

The film combines actual footage of Communist leader Palmiero Togliatti's funeral with the intermingled stories of four people affected by his death: Ettore, a Venezuelan radical who abandons the wealthy Italian woman he loves to go back to his country and help his cause; Ludovico, an ailing filmmaker who finds out that art alone is not enough; Giulia, a woman who embarks upon a lesbian affair with a former mistress of her husband; and Ermanno, a philosophy graduate who breaks up with his past.

No description available.

It is the story of the meeting of two men, presumed childhood friends, of which one remembers every detail, with nostalgia and perhaps resentment, while the other pretends to remember only because he is distressed by a tax assessment and his friend is a tax official. Metaphor of two opposite ways of looking at one's roots, which one cannot free oneself from without risking losing one's identity.

A retired diplomat has begun writing a historical novel about the legendary Captain Meϊtanos, who lived in the 17th century. Initially, he was a klepht (bandit), then an armatolos (member of irregular forces), then a klepht again, until finally winding up in the Ottoman hangman’s noose. Captain Meϊtanos was described by monks who lived for many years after his death, recounting his activities and passing on his story. Memories are revived; snatches of a story and mystery emerge, such as that of a holy icon painted in 1715 by the iconographer Vaϊos – an icon which adds additional color and detail to this story.

No description available.