Tracey Lynch

Finn's story seems to begin when Henry Kirk comes into the bookshop where she works. But it goes back a lot further than that...

In the follow-up to Graham Reid’s trilogy of ‘Billy’ plays, Billy's sister Lorna Martin is left to care for their Uncle Andy. Lorna feels trapped, but Andy wishes to give her the freedom she desires.

Maria, Dermot, and their son Johnny live in West Belfast. Their conventional, straightforward family life is jolted when Johnny tells his Mum that he wants to wear a dress for his upcoming First Holy Communion.

Relationships are strained in a Belfast family, particularly between a father and his son. First in a multi-year trilogy.

Belfast, 1980: July, the marching season ... Norman Martin, away for two years, returns with his 'English woman', Mavis. How will the family - particularly Billy - react? And has she achieved the impossible in mellowing the man? Third in the trilogy.

Documentary tracing the life of James Ellis, one of Northern Ireland’s best loved actors.

Belfast 1978: the Martin family, a year on. Norman is away in England, and his eldest son, Billy, and daughter, Lorna, are in charge of their younger sisters, Ann and Maureen. Second in the trilogy.

A BBC film crew is interviewing a ‘typical Catholic family’ in the Divis Flats area of Belfast, when news comes in that a child, known to the family, has been hit by a stray plastic bullet fired by a British soldier – a version of events contested by the army. Back in London, editing the footage, the producer and researcher on the project wrestle with how to present the incident, and with their responsibility to the people in the film.